bulldog at their friend's home in nuneaton. . ., , ., ., nuneaton.uneaton. her hair was all over her face, so i pulled her— nuneaton. her hair was all over her face, so i pulled her hair _ nuneaton. her hair was all over her face, so i pulled her hair away - nuneaton. her hair was all over her face, so i pulled her hair away from herface and face, so i pulled her hair away from her face and that is when i saw how bad herface her face and that is when i saw how bad her face actually was. the her face and that is when i saw how bad her face actually was.- bad her face actually was. the girl needed 40 _ bad her face actually was. the girl needed 40 stitches _ bad her face actually was. the girl needed 40 stitches and _ bad her face actually was. the girl needed 40 stitches and plastic - needed a0 stitches and plastic surgery. she has nightmares about the attack. i surgery. she has nightmares about the attack. ,.., the attack. i get scared in the niuht. the attack. i get scared in the night- and — the attack. i get scared in the night. and what _ the att

well, it was a very normal, i guess, suburban house, semi—detached, in nuneaton. erm. ..as nearby? there were cinemas, but we didn't go as a family. i was never very interested in the cinema. i was more interested in theatre. was it that the films didn't appeal, the sort of thing that was being shown? itjust didn't attract me. i mean, i cared passionately about the theatre from having been in the school play the tempest at age 11, as a nymph or something. and i don't know, i just got the bug. there was a rep company that came to nuneaton three days a week, this is the late �*40s, early �*50s, and it's... ..it became what i was obsessed by. on this cultural life, i ask my guest to nominate the people, places, the experiences, the works, cultural works that have had a direct influence on their own creativity. and your first choice is perhaps surprising. you've nominated a week that you spent in blackpool in the 1940s, seeing variety shows on the pier. who did you see? yes, once a year. we went for a week in blackpool and blackpool was at its height. this is the, the late �*

well, it was a very normal, i guess, suburban house, semi—detached, in nuneaton. erm...e. i mean, i cared passionately about the theatre from having been in the school play the tempest at age 11, as a nymph or something. and i don't know, i just got the bug. there was a rep company that came to nuneaton three days a week, this is the late �*40s, early �*50s, and it's... ..it became what i was obsessed by. on this cultural life, i ask my guest to nominate the people, places, the experiences, the works, cultural works that have had a direct influence on their own creativity. and your first choice is perhaps surprising. you've nominated a week that you spent in blackpool in the 1940s, seeing variety shows on the pier. who did you see? yes, once a year. we went for a week in blackpool and blackpool was at its height. this is the, the late �*40s, we might have gone, even gone during the war, i don't remember. it was the great comics of the time, jewel and warriss, ethel revnell and gracie west, nat jackley, albert modley and donald peers, the singer. it was a great experience