the jump on the facades has nyashmat. of the façade, imitating two columns that protrude from the crowns, finely molded cornice, frizze, mid-top beam and patellas. the largest number of windows placed on the frame are decorated with rythmic windows. it’s just like the vintage ensemble of the beautiful gala of this artist, the manu- mental forms, and you can feel all these jumping elements in the background, well, there are plenty of flat scenes, window openings there, and not just windows techniques are so rare element of the blend, this architectural term, which is like this... well, like a false acno, padmanka any memory, this old norm is not recorded in official documents 1/6, but the methods of the 1/6 ad plate illustrated and covered with red charapitsy, and the most galoung, are cut out by hatches of a beam shape, in the end any closed, any closed... space is required , if the wind died, if there was ventilation, then the dredged elements of the mold would be desired, that’s not the case i would like to know how to

nyashmat was obsessed with the troops of braslau, because of the hair that was left behind, since mostr, and gave birth to the occupied temple. adbyvaetstsa geta from 1603 to 1606 reptiles, laid out for the vyalikag principality of lithuania. it's not easy for belarusian lands, geta pachatak 17 hectares . i'm going sluggish. how many wars there are in the territories of belarus this hour, not simple palitichnye stanіshcha adbіvaetsya in the way of life of extraordinary people, in your face and because our products are building a temple. and the temple, the house of god, the thoughts are not only for the months of malitva, but for the months of paratunka, for people searching for the hets of paratunak, and for the hour of change, the change is thick, the city of the city is changing, and tsa is dense on the architecture, the languid kolkasts of the budynka is a strachvae pile of feathered lynxes, new ones are coming, and there are still fires, different cataclysms, wars and every time temples announcement, all this adbіvaetstsa i... at the beginning of the 17th century on our lands ther

sizeable splendor of the exterior, there are slabs for baroque decor, jumping on the facades of nyashmatcenters of the facade, imitating two columns, so that stand out from the walls, finely polished cornice, frames. mid-upper cervical and paws. the largest number of items decarved on the budynka is rythmichna mixed windows. yano, as і patrabna ў vintage ensemble, padrychtoўvae galavenstva getaga dvartsa, manumental form. i geta taxama adchuvaesh. there are eight of these jumping elements in the background, well, there are plenty of flat scenes and window frames there. and not only window openings, there are also rare elements of the blend, this architectural term, which shows such, well, like a false image, a padman of any memory, this old-fashioned norm, which is not recorded in official documents akh 1/6, kali steps akonny 1/ 6 hell of a bad memory, so here we have some problems all is well. high, lamans dah - the most characteristic element of the baroque palace, they are four-dimensional and covered with red charapitsa, and the most galloun, cut with bow-shaped hatches. the evacuati