then i was befuddled myself. >> reporter: o'shea says they met regularly after that.n he got out, she introduced him to her landlord who, with perry's blessing, invited o'shea to move into the building. today they don't just live close, they are close. clearly mary was able to forgi forgive. >> unforgiveness is like cancer. it will eat you from the inside out. it's not about that other person. me forgiving him does not diminish what he's done. yes, he murdered my son. but the forgiveness is for me. it's for me. >> reporter: for o'shea, it hasn't been that easy. >> i haven't totally forgiven myself let yet, i'm learning how to forgive myself and i'm still going towards trying to forgive myself for what it is i've done. >> reporter: to that end, o'shea is now busy proving himself to himself. he works at a recycling plant by day and goes to college by night. he says he's determined to pay back mary's clemency by contributing to society. in fact, he's already working on it, singing the praises of god and forgiveness at prisons, churches, to large audiences everywhere. >>

jim o'shea was a longtime reporter at the "chicago tribune." he became a managing editor at the "l.a. times" so we had a groundwork is a reporter and management experience of being, not quite the other side but in those decision-making meanings and it is the full unvarnished story of what happened to media businesses in america by focusing on the story this story at the tribune company. page one is a book in our series of books that we have done in conjunction with participating media. we have done looks in films like food inc. and "waiting for superman" and this is their new film called page one, inside "the new york times" and we have done a book with david who is an mp or media reporter who is a collection of essays writing about taking the subject dionne the film's limitations. the film can tell you in a visceral way can only tell you so much. these essays in this book really tell you more fully what is going on with media today especially digital print and what the future might look like her crispy i know i said to more but we have got one

clear second time into the final stage on sunday he struggled on the loose gravel in the end it was o'shea in ten seconds korea make it happen in came time further in his fourth and seventeen points behind me of all standings the season reaches the hof i stage. that's all the sports news i think. blind. would be soo much brighter if you knew about someone from funds to pressure. for instance on t.v. dot com. closure is that so much of the taxpayers' money i mean i would like to give it real me africa in the new outside interest of this continent is rich in natural resources in a growing middle class china the us. some stories on our teenager admits it launched the airstrike that killed nine civilians of the. british taxpayers wary of reckless spending a hundred the bill for three months of bloody stalemate. japan gets a grilling in vienna and members of the international nuclear watchdog gather to look at ways to avoid in the fukushima crisis while people don't feel safe even kilometers away from the exclusion zone. every head of state wants a second term but it's the people who have the f

jim o'shea was a longtime reporter at the "chicago tribune" and became the managing editor of the "l.a times" so he is head groundwork is a reporter and the management experience of being, not quite the other side but in those decision-making meetings and it is the full unvarnished story of what happens to media businesses in america by focusing on the story of the shipping company. page one is a book in our series of looks we have done in conjunction with participating media. we have done books and films by food inc. and "waiting for superman." this is their new film called page one, inside "the new york times." we have done a book with david was an npr media reported that is a collection of essays by many different than -- contributors writing about media, again taking the subject beyond the film's limitations. fm can tell you in a very visceral way the story but can only tell you so much. these essays in this book really tell you more fully what is going on with media today, especially digital, print and what the future might look like. >> i know i said just two more but we have one