but not obstruseive. the set was the same. chris om has createdd wondful, simpleet that in many ways isjust a black box but dsses it occasionally with a sh of red or a drop of blu there a buff ment in this where we use a transparent -- that isit so we perform behind it. almosto furniture an faastic lighting. so the lighti splits this black box sometimes i half, in diagonals which shafts of light and beams. cuts off areas that makes them emingly in the nlight and sometimes i the moonlight and sometimes insi and sometimes outside. so there is a realworld b there never a sense of anything other than stening to this wonderful dialue. and key to all of that is mong at a great pac, which is very, very quick. >> a uses this wall well. >>eah, very well. >> beaifully so. >> on shaspeare is it the consensus of pple who may not have done what you have done and direors that he is betr a character or narrative or plot. >> specifically to hlet, i suppose it's more, goodnes, i think i would say it's more in the story, in the telling of the s