oea rh >> smith: so you mighthave a ecand then it might be seven or eight months. >> orlean: right. >h: .before another piece appears. but i. you're on ttt a. a febk d u are a prolific user of social media. >> orlean: mm-hm. >> smith: aad so my susan orlean kind of connection is at its height these days compared to when i would simply read yoo in e magazine. >> orlean: isn't that something? >> smith: i wonder h tt s. kw 'shaedy experience with you. how has it changed your experience with all of us? >> orlean: i think ii's all for the good partly because , u know, when i work on. and i should also add i yorker website. >>mi: de, gh >> orlean: it actually has removed some of the pressure to produce pieces faster than they really ought to come out. it used to be that you'd write a piece that you spent months working on and then there's always a bit of a backlog at the new yorker anyway. sthrit. >> orlean: .so the piece might sit there for a couple of weeks, whatever. &-you had disappeared and i used to run into people andd3 they'd say, are you still writing? ani'thk,hh gd, that's horribl