advised you a lot of the right books, for example, absolutely amazing diaries, i naturally adore oleg borisovhere is the name of his diaries the book, yes, i found it at a second-hand bookstore and it was just... this period was, we started filming express, and there - yes, this book and advice were very useful, for example, he writes that he was called a meticulous person on the set, and so as if in the theater it was also considered that it was very difficult to work with him, uh-huh, this word is just so good, meticulous, it seems to me, meticulousness here in this sense, that he was, well, so in hamburg. profession, he set very big expectations for himself, he writes, so we are starting a short rehearsal with dodin, and that means i want, bye i don’t understand how to completely reset myself, become a schoolboy who doesn’t know how to do anything, so i give myself up, entrust myself to dodin, and he writes this when he was already a great master, and he writes such things, i want to reset myself, forget everything that i know how, so i can try again. with the finished one and trust him, h

up, trust yourself... in the chaliapin series you managed to have this one, well, that’s what oleg borisovs for yes deputy, god’s plan is a plan, yes, as brodsk wrote, the main greatness, the greatness of the plan, and... this is also relevant to our conversation, that when you are not for yourself, but for the idea, for yes, for the sound, for the theme, yes, yes, then strength appears in you, because... as nabokov wrote, when you reach for the fruits of art, you you stand on your tiptoes, uh-huh, in this sense you overcome your own growth, uh-huh, so i think it’s the same thing here, like a story, you, when you defend - the plan and theme in which god lives, ah, then you are, of course, a thousand times larger than when you again hone yourself, this is what i wanted to convey, yes. listen, of course i understand that you are a new person in this group, but ivanovich probably told you that i am a great singer, i really want to hear this, really, but for now, alas, excuse me, well, understand, it’s not just about the rhythms, you are dying in this scene, this is the finale of life, a trage