elusive nuances. acquire dead incredible acting metamorphoses alexander kalyagin played you in oleg efremov lenin'siving out in one breath the most complicated remarks, the impossibility for him to resist these petty various fluctuations. this is scarier, and right there, from the tv screens , the kindest cat in the world spoke to the smallest spectators in his voice. guys, let's live together, he began to educate a new generation of actors to teach their secrets. and in the end he created his own theater. this is something that hasn't calmed down. this is what called creative testosterone. you see, there is no peace in the theatre. for almost 30 years now, sateras have been turning to their bold experiments and timeless classics. and in honor of the eightieth anniversary of alexander kalyagin, the audience invites the audience to travel around kalyaginsk, the event of his life in a huge exhibition from the theater, this collegiate, goes directly to chistoprudny boulevard and in these photographs the faces of character and friends and memories of their favorite role, each of which, as kolyagin says

oleg efremov lenin, giving out in one breath, the most complex remarks, the impossibility for him to resist such petty different fluctuations. here it’s scarier and right there in the style of the screens , the kindest cat in the world spoke to the smallest viewers in his voice. guys, let's live together, he began to educate a new generation of actors to teach with his secret. and in the end he created his own theater. this is some kind of restlessness. this is what is called creative testosterone. you see, it’s not calm in the theater for almost 30 years that they have been turning to bold experiments and immortal classics, and in honor of the anniversary of alexander kalyagin, the audience is invited on a journey through kalyaginsk the events of his life in a huge exhibition from the theater, this kolyaginsk, goes directly to chistoprudny boulevard and in these photographs the faces of the character and friends and memories of his favorite role, each of which, as kolyagin says, opened first of all himself. i know in the name of the sword that which i do not say in any way and i wil

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