uh, the ghetto layout, and it’s from the earth oleg khalide, and i sound, and it’s more like a hallwayclassic horn, the interterranean style is easy to recognize, for some lynxes and oceans formed under the drifting climate of them , this is the tyjess of the color scheme of the corrected materials and the most planned bottle of mismatched parts easing on myself different windows from small squares expand the iron venetian balconies of the frame, deep from the park, a luxurious terrace and no matter how average they are, linking the palace from the edge with such a prefabricated remarkable view, enchanting its not with talkativeness. here, i look at the façade man , always his main one. here it is compositionally done very well, because if you have more sides of the array, the salon is pressed there, and it is contrasted with towers, it is thinner and taller, and in order for this compression to be balanced goes to the right, extended parts, but she can’t. these are there how many four windows go and what is the fifth sixth, or what ? no, there is a cross menu that stops this series fr