we had oleg nikolaevich efremov, and even then he was always so focused on modern literature on whatas happening outside the window, we were brought up. so the theater cannot but respond to the present. and what you need to hear to see to know, and this, apparently, is efremov’s inoculation to be interested in modern dramaturgy, namely in modern literature, so how can i say that something has changed a lot in teaching there, when we were taught and how we work now. i, i can't. that is, specifically, in each workshop . it happens in different ways, but here is my personal, our personal upbringing, it was like that. yes , why not take anything for granted, but do not agree with anything, do not look for idols for yourself , try to change all the time all the time, but search for what is today happening. well, i would like to clarify, of course, this slogan is not to accept anything. on faith does not mean that what is not accepted on faith is not true. well, i, for one, ask students in the same studio school. pushkin is a genius. why am i asking? i have a very difficult answer. you imm

a play that was banned by this play , the theater sovremennik was supposed to open it , oleg nikolaevich efremovp the role, which i'm doing. i played the greatest genius eugene in stackney. moreover , it was unique, there was a dress rehearsal of a woman from the ministry of culture then wept and closed this performance for 30 years, the plays were restored and you know why it is so interesting? alexander arkadyevich galich was small in sevastopol until the age of 23, and these impressions are of sailor silence, but about what he was talking about, and it was they who were born there. atmosphere and this year we will take, uh, our performance based on the play by the great and with music by vladimir dashkevich. uh, passion for bumbarash. this will be another challenge. we have absolutely me through the performance, well, in the hall in the theater it’s unbelievable that it will be in the open air, it’s even scary to imagine. yes, please, we are waiting for you somehow imperceptibly. we have reached the end of the program. but now i can’t help but ask if there is a dream idea, here , which has no

a play that was banned from this play , the sovremennik theater was supposed to open and oleg nikolaevich efremov left the role in which i played the greatest genius evgeny alexandrovich evstigneev, and he did it unique. here was a dress rehearsal of a woman from the ministry of culture and so on and closed this performance. for 30 years the plays have been coming , we have restored them, and you know why, how interesting, little alexander arkach was in sevastopol until the twenty-third year, and these impressions are like silence. and that's what he was talking about, they were born there. from there this atmosphere and this year we will carry. uh, our performance is based on a play by the great and with music by vladimir dashkevich. uh, passion for bumbarash. this will once again challenge us through the performance. the details are absolutely me, well here in the hall at the theater is incredible. i'll be out in the open, even scared myself introduce. yes, please, we are waiting for you somehow imperceptibly. we have reached the end of the program. but now i can’t help but ask if there is a dr

do you know oleg nikolaevich efremov chief director of the moscow art theater?irina miroshnichenko, she unexpectedly left for south america without permission. we have a theater scandal. i play all the roles completed, i can't act. damn, it turns out we were so let down. well, let's go to the director. no, i want to live. and komityana, of course, she is afraid of these, she understands that she will flutter out of my office like that two weeks before filming. we were left without shares. perhaps if elena proklova starred in the carriage, and even in an erotic scene with leonid filatov, today alexander yakovlev, no one would have known, but life turned around, otherwise our heroine got into the role so much that oleg tabakov gave a standing ovation at the premiere, and, as they say, appreciated the bed episode, especially the first scene, so to speak, in soviet erotic cinema. although, she is so chaste in modern times. but then it produced such a boom. uh, uh, i remember, uh, it meant the premiere at the cinema house, uh hmm, and palych ne tabakov was sitting ri