you know, i got to the master oleg pavlovich tabakov , having already had success in novosibirsk at thel, here is oleg pavlovich, this is an iron, iron hand, which i gave him to the cat matrosskin, with which he controlled us all, affectionate and iron. then i studied ivan. mikhailovich torkhanov with the great teacher of the school of studios emkhat, and then ended up with oleg pavlovich tabakov, he was an absolute master in pedagogical activities , what are you doing, volodya says, i’m a door, some kind of door is starting, i’m a door once, stop, i say , why are you opening the door like that, i say, but how you generally remind me, you have a little on top, i don’t see it inside , where you can turn it all over, and i opened it, a lot, turn it back, so he twisted me back and forth like an iceberg , sank me, in in general, on the contrary, i wanted, i wanted to bring this lower part up, well, actually in general, teacher, violate nature, physics, and this is very correct, from what moment did you understand that... somehow, well, no more, no less, or they sunk, floated, somehow no , w

course for directors. a good person, where he - among other things , writes that he often met oleg pavlovich tabakovhat means, on the fingers, well , for the purpose, in general, of extracting various resources for the theater that he was building, this is your role in the theater, what is it now, you are also building something, you see, oleg pavlovich spent his whole life building a theater? and build it as a room, and build it relative to the corpses, and my task is the same, our theater, which is on sukharevskaya, seems to be built, but there is catastrophically no space, we have one stage, so i look with envy for theaters that have several stages, we don’t have a rehearsal hall as such, so despite all our ambitions and desires, we don’t have space. which we could develop , so we continue to fight for construction, thank god, moscow is helping us, for 5 years we... are trying to make our internal name a kind of center of feelings, in which there will be educational programs and programs from mlada to the largest age, and so that our institute develops for children, and programs, and well, so tha

had, in addition to all the teachers who gave us taught actor, acting profession, this is oleg pavlovich tabakovv, this is, of course, mikhail andrevich labanov, our literally dad, and seryoga had another teacher, this is his dad, dad, yes , yes, yes, yes, yes, yes. yes, but when i asked you, i remember that you had one of the most successful performances on stage in the role of radion romanovich raskolnikov, yeah, that was back in my student days, well, this was my first job in drama theater, after graduation i was taken to the drama theater in vladivostok, and the first role was, i thought you were immediately assigned to saratov, no, no, no, i worked there, worked in stock for a year and a half, and then they invited me. i see, but who was taken to moscow? no, who was hired, we worked with oleg ivanovich for 9 years, at the age of 9 we played five roles, he then did a lot... he worked on sword shields, i was francis corina, two comrades served and he needed a replacement, from moscow, they couldn’t get , well, they don’t go to the provinces, but from the provinces, from vladivostok, they invi

institute and after 3 years i meet this artist. who played in search of joy, yes, someone, oleg pavlovich tabakovretted, we saw anton, anton, you also starred in this movie, yes, it was me, my life... it was always through connections, in general , i also got there through the same connections, since when i was born, it was somehow already laid down from the very beginning that i was not the first there was a child in this theater, because in my opinion kvasha was the same age as the theater, what we did in that period of time, well, it’s just scary to remember, because what if the way galina borisovna gave her best at work, as soon as she came home, perhaps... of her healthy, well, already adult life, it was all at galina borisovna’s suggestion, because the only person who believed in me was my dad , for example, i tried to enroll before this, she is the only person who made me, given my hatred of literature, art and everything else, i learned this fable, this prose and these poems, i went to classes. for six months, i'm sorry, i waited, well, so did you, man, man, what do you think, is she comi

memories of one very good person : where he, among other things, writes that he often met oleg pavlovich tabakov power, in jeans, that is, quite simply, with keys, that is, on his fingers, well, for the purpose, in general, of extracting resources diverse for the theater that he built, this is your role in the theater, what is it now, you are also building something, you see, oleg pavlovich spent his whole life building the theater and building... it as a room and building it relatively corpses, and my task is the same, our theater, which is on sukharevskaya, seems to be made, but there is... catastrophically no space, we have one stage, that’s why i look with envy at theaters that have several stages, we don’t have a rehearsal hall as such, so with all our ambitions and desires we don’t have space , in which we could develop, so we continue to fight for construction, thank god , moscow is helping us, for 5 years we have been trying to... make our internal name a kind of center of feelings, in which there will be educational programs, and programs from mlada right up to of great age, and so that