which i have been leading for 6 years after the departure of our heavenly artistic director oleg pavlovich tabakov it seems to me that the team is incredibly viable, it is based on our students. and this story is very important for them, and indeed, before we started filming, there was a lot of work with the director, the wonderful young director sergei karataev, we also have an amazing cameraman, igor grinyakin, with whom i worked on the film "movement upward", in general , such a team has come together. and morally and physically you literally descend into these spaces, since we started filming, here in the brest fortress, in those places where these events took place, now also in mostkino large natural scenery is being built, where this space will be recreated, where we will shoot further, in general this is a huge work of the whole team, and of course, but the center... always the center and in the theater in the cinema is the actor with his living feelings and emotions, i wanted to remind our viewers that there was already a similar one in the history of a contemporary, yes, an attempt by all

antolievich shirment, even worked in amkhati, but both there and there he quarreled in amkhati with oleg pavlovich tabakovvsky, in general, the relationship with the audience - this has always been extremely important for me emotionally, you give to the audience, and the audience gives you even more, you give to the audience, and it gives you... even more, yes, this is important, i always liked to make people laugh in my childhood, and i felt this was my main task in life, and half my life, in fact, i was doing this, well and it has always been like that since childhood, i liked to play pranks on people, and to do it in a masterful and diverse way, in this sense i felt my necessity for people, i raised their spirits. ugolnikov has more than three dozen roles in cinema, but those worthy of his talent can be counted on the fingers of one hand, he still turned out to be a hostage of his simple-minded role. i don’t have many serious roles, but the main role is such, well, important - it’s shirley-myrli, of course, but my film career didn’t work out from the start, and to be honest, i wasn’t very worried, beca

because this was also such a discovery for me tabakov once gave me his book my real life some other edition i... i read it there asked questions to oleg pavlovich the way, he describes it like this, he says, i already determined the place of the leader for volodya in the first year, here, but he persistently climbed the stage with some sketches stupid, but i really had two or three masters every day, he asked who would show, i said i would, he could no longer see it, because the sketches were different, not always successful, but... actively, i was still making a set, i said, i need to prepare for 20 minutes, i was building some kind of set, then i showed some crazy excerpt, what a nasty boy he was, oleg pavlovich left and literally a few days later i had this book lying around, i opened it again and realized that the pages on the first page were stuck, so i tore it off once i understand that there on... here i had a message that stuck, i was stunned, and there was this phrase of his, that vova, i love you very much and i want you to develop intensively and fully, and you and the people will be well, this is not only a testament to me, to all h