torkhanov from the great. teacher at the moscow art theater school, and then ended up with oleg pavlovich tobakove you doing, says volodya, i’m a door, some kind of this one started, i’m a door once, stop, i say, what are you doing? so you open the door, i say, how do you even resemble an iceberg, there ’s something a little on top of you. inside, i don’t see this, where you can turn it all over, and i - opened it, a lot, turn it back, here like iceberg, he twisted me back and forth , pushed me in general, on the contrary, he wanted, he wanted to bring this lower part to the top, well , in general, a teacher, to disrupt nature, physics, and this is very correct, from what moment did you understand that you are somehow... then so, well so, no more, no less? or they sank and surfaced somehow no, well, i realized that it needs to unfold itself like this all the time, look, this is how it turns out, because cinema requires very detailed work, in fact, when you are sunk, when everything is big inside, dream, suffering, it's in in depth, in the theater, on the contrary, you need to turn yourself around