our guest is people's artist russian federation artistic director of the moscow theater oleg tabakov

tabakov to the hospital. and an hour later , the artistic director of sovremennik oleg efremov.mov, he was afraid of me, the doctors are one more serious than the other sara academicians and they were engaged in the fact that each subsequent one completely refuted the doctors for a long time could not understand the reason for such an early heart attack, because tabakov was only 29 years old, the actor worked in 40 projects had to sleep no more than 4 hours. in the day his heart. it just couldn't take the load. after discharge from the hospital despite the prohibitions doctors, he immediately entered the stage of humanity. now it requires the best minds, pure hearts , honest souls. i don't know how to explain it to him. in an ordinary story, became his truly starry role. tabakov generally got used to working hard at home, the family had almost no time left, son anton and growth behind the scenes. i was there, well, as a child at the theater and all my toys were there, when even dad had an office on mayakovsky square. it just coincided with the fact that he played the schellenber

oleg tabakov was a great teacher and director, but he managed to direct his personal life not immediately and not without there can be no mistakes in friendship between a man and a woman; the break with the first wife, actress lyudmila krylova, hit both her and their common daughter hard. sasha seems to have adjusted relationship with alexandra oleg. oleg pavlovich lived in perfect harmony with his second wife marina zudina. i have been with this man for almost 35 years, there were very different situations. we respected each other very much. children. tabakova from the second marriage. pavel masha remember dad only in joyful moments. i really liked to ride the escalator. and we rode, he rode with me, settled down on the sofa comfortably under a blanket, my mother covered us and watched less, and we remember the great roles of oleg pavlovich and one of the most bright work role in the legendary tv series 17 moments of spring. the film was supposed to be made in the spring of 73 by victory day, but before andropov was angry, you were filming longer than the war was going on, but he accepte

oleg pavlovich tabakov who created our little theater in the basement.s a studio at the theater palace of pioneers, selecting 40 guys there, then 10 remained, and so on entered gitis. and so life began, then a basement appeared, then it appeared. 30 years later, at the end of oleg pavlovich’s life, a new building and we are in development and but the foundations the fact is that oleg pavlovich opened, uh, 10 years ago, a theater school that uh existed, as a college his dream was for the guys to study in her early. this is the dream of educators. you know , it seems to me artistic, uh, the period of a professional's life should begin around the age of 15, because this is the most emotional time that we actually achieved. now we don't have a college, because after our college our guys have to go back to college. theatrical comes out. they are ready. they come out ready, the artists came out, they must be on stage. before leaving the theater school, you know, the artist grows on the stage with his partners, this collective activity, therefore, this moment o

consider pisarev at rehearsals, the cunning irrational leader oleg tabakov, assuming his physical finalethe legendary theater, almost everyone in the russian theater community called tabakov the shadow mr. culture, but when the artistic director died suddenly in the moscow pushkin theater. roman kozak tabakov, without hesitation, proposed a candidate to responsible comrades. pisarev moscow art theatre. federal theater one of the country's main art theaters the head of the municipal theater. this transition from the expensive-rich is modest, but sweet, as it was given to you when it seemed to me difficult to come from the megapolis. e, in a small town, immediately called ekaterina konovalova, my assistant and friend. you know nothing will come out of this village said after the first year. she says, yes, of course, paris will not work, but we can make our own little daville. i somehow lived with this thought, you can live under the wing of a strong person, so to speak, not to answer for anything once a year put on a big-budget production, get a good salary, but still be an infantile child

politicians , athletes, actors, including sergey lavrov and evgeny primakov, vladimir mashkov and oleg tabakov, walled up street artists, the project is being implemented with the support of the presidential fund for cultural initiatives , the festival will last until the end of september. today, the new airs offered them to choose, uh , the location where the art gallery would look good, it is what we think it was such an open-air gallery. i'm uh artists, and chose from several locations. we had five or six nations in the south in the north in the west russian chess player alexandra goryachkina, who became the winner of the world cup held in baku the day before, returned to moscow alexander abramov will tell how they met our champion the flight from baku arrived at the sheremetyevo airport even a little earlier than the scheduled time alexandra goryadkina, the newly-made winner of the cup , returned to moscow world chess championship, literally the night before in the capital of azerbaijan , alexandra goryachkina in the world cup final beat her rival from bulgaria nurgle with salimov in the w

actress also played on the stage of the linkom studio and in the theater under the direction of oleg tabakov in the cinema irina miroshnichenko made her debut in 1963 in an episodic role in the picture of georgy danelya i was walking around moscow, her second work after 3 years was the main role of a military drama. they were known only by sight among iconic film works. also the roles of the films mistake resident. uncle vanya came soldier from the front. you didn't dream. miroshnichenko did not agree on the characters and released several musical ones. albomov taught at the academy of cinematographic and theater arts nikita mikhalkov was a member of the union of theater workers of russia union of cinematographers of the ussr actors guild cinema of russia people's artist of the rsfsr miroshnichenko was awarded the order of merit for the fatherland of the fourth and third degrees. chingisentnik is different from any other warrior. i think , first of all, the character, but only then everything else is a matter of gain, they came out from the side back. let's fly, quickly the territory is dang

the sailor's silence of alexander galich to our performance, which was staged by oleg pavlovich what did he call tabakovis is our seagull, that's how dramahata was seagull so for our basement theater. this is a play that was banned from this play , the sovremennik theater was supposed to open it, oleg nikolaevich efremov staged it, the role that i play. i played the greatest genius evgeny sancheev stegneev, and unique ones did it. there was a hmm dress rehearsal for a woman from the ministry of culture and so on and closed this performance. for 30 years the plays have been coming, we have restored them, and you know how interesting it is. alexander arkach galich small was in sevastopol until the age of 23 and these impressions of sailor silence, but about what he was talking about, uh, they were born there. this atmosphere is there and this year we will take it. uh, our performance is based on the play by the great and with the music of vladimir dashkevich, a passion for bombarash. it will be once again the challenge we have through the performance is absolutely me, well, in the hall in the theater it i

oleg tabakov theater brought to sevastopol the play passion for bombaras it will be shown as part of the international opera and ballet festival with the support of the presidential fund for cultural initiatives the production involved different generations of artists from folk and honored before the students of the theater school, they will play on the territory of the museum-reserve. chersonese tauride for now. she is unfamiliar to the platform, the actors are babbling, and the first show of the play will take place on august 9. and we changed the scenery and made it bigger especially for this scene. we rehearsed with us. the hall is three times smaller. therefore, for us, this is a full-fledged premiere. after advertising, we watch the football program of russia ilya kazakov i talked with the president of the moscow torpedo yaroslav savin. it's hard not to notice the legendary alfa bank credit card without interest now cashback for all purchases and free cash withdrawals at any atm. and with brad there is an easier way, colored water. contaminant protection active blue water formu

oleg will receive. tabakov spoke. eh, often doing. kindly do not expect reciprocity.at you remember, here, probably, probably the warmth in your address of my side always. i knew that i would have to pay for this. my mother always said not to be grateful , it is stupid to expect gratitude, but i will always remember sasha, i love you very much as before and i am very grateful to you. we can practically walk away to pass. please tell me, what are the main lessons i taught you tabakov not not acting, this is your kitchen this is nobody. well, you know, in the country. this is my photo at the dacha, when gazarov was making, i sawed some trees for barbecue. and here it is, by the way, sergei evkhanovich and i. seryoga gazarov is now my artistic director, because now i also served him for a year in the satire theater, so we, too, in japan, tell me, you’re a teacher now , eh, girls, guys. what do you have in common? here with your teacher with tobacco, as you think. well, first of all, i always say. it doesn't matter where to study, it is important who to learn from, becaus

we see oleg tabakov, we see valentin gaft, we see a small video that played by great actors.forget rostislav the fifth or they are up to kuravlyov, the character played by kuravlyov actually. he, of course, has relatively little in common with the real prototype, because he was not a one-eyed, but an eye patch for his department, and this unforgettable one appeared, which was never seen in another film. let's see this snippet. eisman had been dealing with stirlitz's affairs for several days; he turned over a pile of documents, but could not to understand why stirlitz fell under suspicion under the cap, how did they say? actor first, kuravlyov a. secondly, yefim kapilyan, who voices that's all with his velvet voice. after all, this is an incredible part, and the attractiveness of the series is those thoughts of stirlitz that we constantly hear in a completely non-cinematical way, actually, a technique, because we must see the actions of the cinema on the screen and a few years before the release of the spring itself, there was always an example of a similar the film is stylist

we see oleg tabakov, we see valentin gaft, we see a small video that is played big actors. to forget rostislav plate for nevsky leonid kuravlyov, and the character played by kuravlyov actually. he, of course, has relatively little in common with the real prototype, because he was not one-eyed, but rather an eye patch on his department. and leonov and this unforgettable ship appeared, which was not seen in more than one film. let's see this snippet. eisman had been dealing with stirlitz's affairs for several days; he turned over a pile of documents, but could not understand why stirlitz came under suspicion under the cap, as they said? actor first, kuravlyov a. secondly, yefim kapilyan, who voices that's all with his velvet voice. this is an incredible part, and the attractiveness of the series is those thoughts of stirlitz that we constantly hear some kind of cinematic, actually, a device, because we have to see the actions of the movie on the screen and a few years before the releases of not spring there was an example of a similar film. stylistic roma where, with his behi

we see oleg tabakov, we see valentin gaft, we see a small video played by big actors.e on evstigneeva how to forget how to forget rostislav plyatavskaya or are they cool, the character played by kuravlyov really? he, of course, has relatively little in common with the real prototype, because he was not one-eyed, but the bandage could have been from his department, and this unforgettable one appeared, zhuravlev, who was never seen in another film like that. let's see this fragment. eisman had been dealing with stirlitz's affairs for several days, he turned over a pile of documents, but could not understand why stirlitz fell under suspicion under the cap, as they said? actor first, kuravlyov a. secondly, yefim kapilyan, who voices that's all with his velvet voice. this is an incredible part, and the attractiveness of the series is those thoughts of stirlitz that we constantly hear in some kind of completely non-cinematical, actually, technique, because we have to see the actions of the movie on the screen and a few years before the release, i myself always spring was an

among them were oleg tabakov and alexander shirvindt and mark zakharov who heard something about the jealous somehow treated me, it seems to me that he did not like at all when something was good and not with him, i saw that he was so active towards me. a remark when he uh realizes that he didn't really like the play. but when he liked something, he was directly worried that this was not happening in his theater. i told them that you have a lot of good artists, and even stole me from verbitsky at some point, which means he invited me to the theater. although he didn't live there. i think that zakharov, despite the fact that every year he invited i was put on a play in the theater, but tabakov said it was impossible. zakharov was upset and even took offense at me, probably, well, although this is too small a feeling for mark anatolyevich , he still appreciated it when he came to swift and already with a wand we spent all this big performance. grisha says he was right, but gorin still insisted that this was a theatrical play. and i wanted to make a film, grisha was right, and you won,

and tabakov all the time comments after the performance. i'm so brazen. oleg well , wait, they tell me that i play well. and you tell me all the time, so he says, so i make a remark to you, because you grow , you develop, i say, well, then how to understand who to believe? he says, honeycomb, i draw so we have internal 100% of our conscience and, as a rule, 99 spread rot. that one over there, sitting honest. find a dialogue with him with one and you remember to understand treat, sober. uh, i’ll tell you secrets to my success, not success , in the summer lariska udovichenko was filming with you and she calls me and cries. i say that it is she who says that all yesterday was a shooting day. here, well, sasha eh everything, she says he doesn't like me. i feel it, i would and she played me on the phone. they played says. look, she says, that means, here i played everyone like that. i say it can't be. he is so kind. i say if he didn't like you, he wouldn't take you. she says, it seems to me that this is a bad person who the people's artist ordered everything for ev

karmanov and our guest is people's artist of the russian federation , artistic director of the moscow oleg tabakov theater vladimir lvovich mashkov thank you holy great father glory to the lord lord , i open fire from now on glory lord glory