shalamov and solzhenitsyn and oleg volkov yes, of course, all three of them were in our university program. well, you remember, uh. what is the difference between oleg vasilyevichess, from here from solzhenitsyn and from oleg vasilyevich’s slut, there is no description of someone who doesn’t scare, and so on, he is before that. he doesn’t get it, he uses other literary techniques so that a person can understand everything. a person really understands everything, when reading , we don’t need a language, and even more so, er. the means of the visual arts of cinematography are, well, you know better than me, nevertheless, this is a very powerful weapon, that is, it is a very powerful language with which you can express different things using different methods and how it is done. well people are taught. i am convinced that there is no need. and here are the details so that it is clear what is at stake. and well, there are other means. in general, i am against it. excuse me for such a direct windshield approach. he. it seems to me, a little bit not for thinking people. i just have concerns, as it were, uh, well, such a patriotic mood is too yes. eh, the directors di