example, there are several works by malevich, he is also there signed as a russian, and also oleksandra ekster, they have a russian woman. i think it's time to correct the center of pomp. well, now we'll talk about how and with what difficulties such decisions are made. next time , we'll talk about cultural diplomacy. we'll talk specifically about the berlinale and the film festival . which took place very recently. this festival declares its ukrainianness . it says that no, we cooperate with the russians, but it turns out that it is not quite so, to put it mildly . in particular, she is very effectively involved in our representation at various cultural events. and here she told us what incredible difficulties arose in communicating with the germans. the difference in our view of these good russians well, if we take the official position of our state and the germans, what are the key points of our differences when we say that this russian is not needed because of what he does it’s a shame he’s actually not shorter than a russian, but they say no, it’s good, but we at the ukrainian institute a