it was created in 1968 by the teacher of belarusian language and literature oles nikolaevich belokoz,the gudevich secondary school. initially, the museum was located in one room. gradually, its area began to increase. now the museum has four halls and more than 17 thousand exhibits of the main fund. the diversity of the exposition attracts visitors not only from different corners of belarus, but also from abroad. in addition, the museum enjoys authority among literary types, ethnographers, cultural scientists and other researchers. the theme of folk weaving occupies a separate place in the museum, where in the hall of practical weaving local women on crosses revive this original craft. the gudevichy museum has collected a unique collection of old double carpets, among which the oldest dates back to 1898, a real rarity. double quality is a very complex type of folk art. the folk master of belarus vera ignativna belokos has over 15 double carpets. for her work in 2013 , she received the title of people's master, and in results of 2016 for personal contribution to the revival, preservati

it was created in 1968 by the teacher of belarusian language and literature oles nikolaevich belokoz,gudevich secondary school. initially, the museum was located in one room. gradually, its area began to increase. now. the museum has four halls and more than 17 thousand exhibits of the main fund. the diversity of the exposition attracts visitors not only from different parts of belarus, but also from abroad. in addition, the museum enjoys authority among literary types, ethnographers, cultural scientists and other researchers. the theme of folk weaving in the museum occupies a separate place, where in the hall of practical weaving local women on crosses... 1898, a real rarity. double weaving is a very complex type of folk art. the folk master of belarus vera ignativna belokos has over 15 double carpets. for her work in 2013, she received the title of people's master. and according to the results of 2016, for personal contribution to the revival, preservation and development of double weaving technologies, as an element of intangible historical and cultural heritage, she was awarded th