whether it's berry gordy or lionel richie or ashford & simpson. ve" always seems to come through. like it was part of y'all's writing formula. >> and we would not stray or be pushed into another direction. it may not have been that conscious but it was what was there, what we were facing every day. it was like a lovefest, as corny as it may sound, but the music and what we wrote about, unrequited love -- love and about one-on-one situations with boy and girl and what we thought about each other as races coming together. i always thought that coming to motown was a fulfillment to me because i always wanted to make music that would bring people together. tavis: "nowhere to run, nowhere to hide," how that song came together. i am always fascinated about the back story to the music. we know the song and the words. it's always the back story that tickles me. you talked about "nowhere to run, nowhere to hide." how did "stop in the name of love --" >> somebody must have told you something. tavis: you know that's why i i k you on national television. >> we