on the ordynka, on the ardynka, in this program not only songs are performed, but also desires.premiere on monday on rtr, when everyone is at home, what is more useful for the theater, when the audience claps or when the audience whistles? how interesting, now everything is so confused in general by the reaction. probably the best thing is not applause or whistling, it is deathly silence. when i was playing in the theater as a contemporary, that means in the legendary play the cherry orchard, i was on the proscenium, that means i was on my knees, playing ipikhodov, playing, that means he doesn’t like me, and i see from the corner of my vision that there’s a woman in the front row, that’s she's crying so much, she's crying so much, apparently, she liked what i was doing, or she was so empathetic to my pain, i think, god, how she’s crying, and the more i worry, the more she feels, suddenly i hear in my stomach so what prose, what prose, i think, oh my god, but i haven’t eaten anything all day, and i continue, it means i’m somehow worried, she’s crying, i think, oh, where should i