, so origairu, by the way, it looks like what you said, that is, there a happy childhood is not at allthought, that's how this genre is deciphered, your readers, who were they, these are the parents of the children, these are the children themselves, these are people in bandanas and leather jackets, or vice versa, these are such nerds who are just like you and me in the notes, what kind of people were they, i wonder? these were the most different people, for me it was a big surprise that in fact teenagers come to my presentations and their parents, but basically, probably 90 percent are my peers, really, as i hoped that i would be able to talk through this book with thirty-year-olds. well, we continue our conversation, about modern literature, about what is happening in it around it, we talk. we with the director of development of the house of creativity peredelkino yulia vronskaya with a modern prose writer, playwright ivan bevz. we talk. remember who was in residence in the house of creativity to name a few names to pay attention to, this will be yankadalty for a slightly older audie