orson and i met very early. charlie: orson welles.him you were the youngest, you began when you were 20 or something. awe.oreau: and i was in charlie: no intimacy? ms. moreau: we were friendly, but i felt like i was like a child with orson. he topol: he was -- charlie: was pretty young at that time. go ahead. ms. moreau: no idea. -- andn i met francois louis was five years younger than i. the relationship was different each time. one, we had a love affair that lasted three years. charlie: how did that work when he is directing you? was a good? ms. moreau: it was very good. we loved one another because of our work. and working together, we talent,ed that we had both of us. that we were aiming towards the same -- charlie: a personal intimacy, sexual intimacy, and emotional intimacy -- does it help you as an actress? does it make a difference in your performance, do you think? we never said to one another, as if nobody knew about the relationship. when we were on set, it was totally different. i did not use that personal relationship, an

for example, orson, i met very, very early. >> rose: orson wells.ommittee at that time. >> rose: you were the youngest and began there when you were, like, 20 or something, didn't you? >> yeah. i was in awe, and though we were very close, there was no real intimacy. >> rose: no intimacy? no intimacy, in terms of we were friendly, but i felt like i was a child with orson. >> rose: how old was he, though? he was pretty young at that time. 50? >> i have no idea. >> rose: i don't either. but go ahead. >> and when i met francois, he was six years younger than i and louie was five years younger than i. so the relationship was different each time. and louie, we had a love affair that lasted more than three years. so that was another sort of relationship. >> rose: how does that work when he's directing you? is it good for -- >> it was very good. we loved one another because of our work, and working together we discovered that -- i mean, that we had talent, both of us, and that we were aiming towards the same ambitions. >> rose: but does a personal intimacy,

orson wells once described her as greatest actress in the world, and she was a friend, whether at dinnerris or here in my studio, she was always spirited, soulful, and delightful. >> this incredible devotion to youth, it's beautiful to be young, but life passes by. >> rose: is it beautiful-- >> everybody can't kill themselves around 30, come on. ( laughter ) >> rose: is it beautiful to be old? >> it is. it is beautiful to be alive. stopping talking about young and old. stop being afraid of death. that's the big problem. >> rose: funding for "charlie rose" has been provided by: >> rose: welcome to the program. we begin with a new film from director kathryn bigelow. it is called "detroit" and tells the story to have 1967 detroit riots at the algiers motel. >> the rider next -- the writerrer next to me whose work is extraordinary came to me with a story about the detroit uprising? 1967, a true story of a true cyme set in the middle of it in the algiers motel, and it was simply put an execution, and a portrait of police brutality and racial injustice that was extremely moving, very timely an

orson wells once described her as greatest actress in the world, and she was a friend, whether at dinnerris or here in my studio, she was always spirited, soulful, and delightful. >> this incredible devotion to youth, it's beautiful to be young, but life passes by. >> rose: is it beautiful-- >> everybody can't kill themselves around 30, come on. ( laughter ) >> rose: is it beautiful to be old? >> it is. it is beautiful to be alive. stopping talking about young and old. stop being afraid of death. that's the big problem. >> rose: funding for "charlie rose" has been provided by: [whistle toots]] [upbeat pop music] ♪ (children) ♪ they're two, they're four ♪ they're six, they're eight ♪ shunting trucks and hauling freight ♪ ♪ red and green and brown and blue ♪ ♪ they're the really useful crew ♪ ♪ all with different roles to play ♪ ♪ round tidmouth sheds or far away ♪ ♪ down the hills and round the bends ♪ ♪ thomas and his friends [whistle toots] male narrator: thomas & friends is made possible in part by: all-inclusive experience is a proud sponsor of thomas & friends. providing families a p

where to go a place to jordan he was very honest with me you had a close relationship he was trouble orson i think we can all be trouble i think in life you know i mean you've probably got a better view in this but you know nobody's perfect and my mother the said it was i heard this quote it goes you know before you point the finger make sure your own hands are clean you know i don't know who is perfect out there and george never claimed to be and i find most of the shark one of them i was so you know war overseas something that happens going to happens all of us i mean we don't want to lose anybody and so. you know you think why do you know the good die young he was only fifty fifty is easing it's not fair so many great thing is not his have died you know in the last few years you think. really to make it makes me think you know we have to really appreciate in our or do you think his legacy years obviously we know him as an amazing music musician and his music his overseas his first legacy perhaps the that one thing that you know is coming out and i knew this about him that the generosity

organization, anyone become see him, kelly has straightened that out somewhat, you know when daughter orson in la or the son-in-law can drop in, give advice there is no ortle are on the orderly process. liz: what will steve bannon's role back at breitbart mean for president and congress. >> he could have an ally there, if he stays on the agenda that steve feels is important, the one he promised the country. i think he will put some pressure on members of congress who are not supportive, he is more powerful than he was a year ago when he took over this campaign. liz: president laying on ut his strategy in afghanistan it is unclear how that will change the trajectory. 16 years long this is the longest war that united states. >> if you were in first grade when the war started, you just graduated from college, think about it in those terms, thousands of men in there trillions of dollars this there, we still have trillions of dollars in obligations to take care of people wounded and injured, the key, is what is end goal? to hold ground or win or to change the government. i don't think we can cha

view that george mcclellan is going to have on the battlefield a couple of days later thanks to rob orson for pointing that out. there you go, rob, you got your one mandatory mention in every presentation so far. so what lee sees and likes is not only is it high ground, but the ground is incredibly tricky. and lee knows that he will be able to hide his troops on the other side of that ridge. conceal his troops. use interior lines, as was discussed last night to move troops from one point of the battlefield to another, very quickly with the union commander, george mcclellan being entirely blind to that. the other thing lee sees is the landmark for which this battle is named, the antietam creek. some people come to the battlefield today and they say that doesn't look like a creek. that looks like a river and other people will say that doesn't look like a creek, it looks like a tiny stream. but in 1862, antietam creek was only crossable in several places and about three to four feet deep on the day of battle. so it was a pretty substantial barrier that robert e. lee could put between his arm

he's also co-author with rob orson with the book "the last road north. a guide to the gettysburg campaign" which traces the movements of both armies from virginia up into pennsylvania and then follows their retreat, and it's a fantastic book and it's modeled after the civil war trail system. later today we'll hear more about the civil war trails and it's a fantastic initiative that helps put people on the field and on the spot where great events happen. so without further ado, it is my pleasure to introduce to you from great state of ohio, my friend, dan welch. [ applause ] >> well, good morning, everyone. before we get started this morning i would like to thank chris mocowski and my colleagues at emergent civil war and for all of you for getting up so early this morning and getting up to learn more about stonewall jackson and second manassas. jackson's defensive line had been bruised and battered. they'd been subjected to numerous federal attacks through august 29th and now on the afternoon of august 30th, some of jackson's units literally had nothing l

he's also co-author with rob orson of the emerging civil war series book "the last road north, a guide to the gettysburg campaign," which traces the movements of both armies from virginia up into pennsylvania and then follows their retreat route after gettysburg. it's a fantastic book. and it's modeled after the civil war trail system. later today, we'll hear a little bit more about the civil war trails. it's a fantastic initiative. that helps put people on the field, on the spot where great events happened. without further ado, it is my delightful pleasure to introduce to you from the great state of ohio, my friend dan welch. [ applause ] >> good morning, everyone. before we get started this morning, i'd like to take a moment to thank chris mackowski and chris white and all of my colleagues at emerging civil war and all of you for getting up so early this morning and coming out to learn a little bit more about stonewall jackson. and second manassas. jackson's defensive line had been bruised and battered. they had been subjected to numerous federal attacks throughout august 29th and no

also an attorney advised former ftc commissioner orson swindle and she began her ftc career in the general counsels office. let me also add before joining the ftc for that first stent, she has spent five years at the u.s. courts of appeal for the d.c. circuit serving as a law clerk and staff attorney. she graduated with distinction from the antonin scalia law school at george mason university and with honors from university of virginia. thank you for joining us and well, to the program. to my immediate right we have professor james cooper, professor cooper is an associate professor of law at antonin scalia law school at george mason university. james brings over a decade of public and private sector expensed as research and teaching work. james also spent time at the federal trade commission where he served as the deputy and acting director of the office of policy planning and is an attorney advisor to the federal trade commission or bill. i wanted note james also spent some time here with the antitrust group, a fairly fine firm crowell & moring in his earlier career. we are happy to welco

brain by plunging electrodes and wires into the living brain and taking electrical measurements from orsonelectrical impulses into the brain. research in this area really got cookie in the 1920s when the swiss physiologist walter rudolf hess began his studies and found he could effect on the motions and movements of animals by sending electrical charges or currents into the brains but he could even affect their moods. he received a nobel prize for his work by the wit and shared it with the father of lobotomy. among his successes was james the neurologist who in 1950 discovered the brains pleasure center or is he preferred to call it the brains river of reward. you probably recall hearing about his experiment on rats, the reds would forgo opportunities for food and for sex if they could just tap on a lever activating, that would activate a jolt to their brains pleasure center. they would sap themselves again and again until they were exhausted. another researcher in the 1960s started conducting similar experiments on human beings. often patients in louisiana's state mental hospitals. he fou