, that was sort of a week in the life of a young orson welles. they're similar to that. they're little moments in time of artists' lives. you know, real subjects, real moments in time. a lot of other things. - you're pretty much in the position, at this point, i suspect, whether the financing is easy or not, and working with hollywood is easy or not, that you can, more or less, do what you want to do, and limit yourself to that. - i think on a lower budget, i can get a lot of these made, but, you know, for me, i don't know what that is. five or under, maybe? i'll find out soon, probably, what i can get. i have a couple, a thing i'm writing right now, about being a kid during the apollo program, like when they first walked on the moon. so yeah, it's a bigger film. - you grew up in that part of texas, and at that moment. - yeah, yeah, so i'm trying to kind of, coming up on the 50th anniversary of the, - the moon shot. - yeah, that i was like, oh, that was a pretty interesting time, so i'm trying to maybe recreate that, but that's a bigger, that's p