unlike his expressionist colleague oscar kokoschka who had moved to berlin she remained in austria good stuff claim to help get him into the association of austrian artists and she lamented exhibitions but it took more than seventy years before it got sheila and viennese modernism contribution to european cultural history was recognised in france. last. preview when the songs were pompidou this triumphant temple of modernism opened in one thousand nine hundred seventy seven. large exhibitions were organized that sought to reassert paris as a major player in european art or. these exhibitions were planned by pointers to ten the first director of the central pumper do. it all so they included the series paris new york paris berlin paris moscow. the more of these exhibitions managed to change the public's view of modernism. but afterward to became clear that something essential had been left out of the real it was not moscow berlin paris and new york that were important but vienna and the paris club after this realization home and to fill this oversight with an exhibition of viennese moder