and oscar winer melissa leo playing an activist atheist once dubbed "the most hated woman in samericaous freedom has come up again in ourworld. plus an experimental film that uses the rat as the storytelling device. a rat nibbled the egg and let the light in. all that and more in this special south by southwest film festival edition of talking movies. austin has been enveloped by south by southwest — a sprawling interactive media, music and film festival that ti‘iii eééfl eft? fiifiézfiég fit?! éfiffififi. showcased some 130 features. the south by southwest film festival opened amid great excitement as stars arrived for tfis ares-ere sf serve: is sefie fl it is the ninth feature film from revered american director terence malik. it is very much a local tale involving interconnected lovers set against the backdrop of the music scene in austin. the key relationship is between struggling song writers, faye and bv, played by rooney mara and ryan gosling. but faye is also involved with cook, portrayed by michael fassbender. i play somebody who is sort of trying to find some sort of transcendence, in

and oscar winer melissa leo playing an activist atheist once dubbed "the most hated woman in america"rimental film that uses the rat as the storytelling device. a rat nibbled the egg and let the light in. all that and more in this special south by southwest film festival edition of talking movies. austin has been enveloped by south by southwest — overwhelms the city. this year, the nine—day film portion of this annula extravaganza jee zen“? ee zeuiefieee ell; feeeieel it is the ninth feature film from revered american director terence malik. against the backdrop of the music scene in austin. eee eee e'eeeezeee fl" " ,. ' ' faye and bv. played———— — —— a—— —— but faye is also involved with cool; portrayed by michael fassbender. encounters, though drugtaking, ara' heightened “swears a a aa. aa a, he is somebody who is very manipulative but also somebody a very powerful, very wealthy but has a very destructive side, and self—destructive as well. song to song has many of the hallmarks of a terence malik film. visually arresting, lots of voice—over monologues from the actors, little conventi