on its site near the city of ostrov they managed to build 11 pillboxes, long-term fire points.he stalin line was planned as one of the most powerful systems of military-technical fortifications, similar to the french maginot line or the finnish one. monarheim line, but the work was not completed due to the transfer of the soviet border back in 1939-40 , the stalin line was mothballed, armed and there were clearly not enough people on it to resist the enemy, nevertheless, at the beginning of july 1941, those who heroically fought here soviet wars were able to temporarily stop the fascist troops. this section fought for four days, i fought, the infantry fought against the german sixth tank division. the germans were offended that it was impossible to fight on our roads, the cars were slipping. this is wrong, they thought so, a collection of rare equipment, a memorial military burial ground, a restored fragment of stalin’s line, preserve the memory of the heroes of the ostrovsky defense center. during the three-year occupation , the population of the pskov region continued to resi

the help of law enforcement officers, the illustrator and best friend of the murzilka, as svyatozar ostrovt his his own son, the drawings , which he kept in a separate box all his life, became a complete stranger, and now this funny portrait with the signature of dad, who once occupied the most prominent place in the studio, the artist, i don’t want to go there, it’s already a cut piece hunk, by the way, in the studio he now not only creates, but also lives, and this is the picture here now: a dining table and a refrigerator next to canvases and paints, the white stripe has changed to black, in his life, the artist says, when he found out that the son appropriated a family heirloom, paintings by his famous grandmother, lidia ostrovaya, the authors of such famous works as the native expanses of autumn at the car wash, now he can only admire them in a magazine. egor took dozens of canvases from an apartment in an elite area of ​​st. petersburg; they soon began to appear on various auctions. i had no idea what was happening behind my back, and then it turns out they just started selling these

already mentioned church, in the 17th century it was already mentioned that the church stood in the ostrovell, that is, the whole history of the village of lukovo. the heroes of this program chose life outside the city. geta is not generic. all of our fathers and great-grandfathers lived in their own houses and farms. more like silence and calmness. there was an idea to stage an opera to the music of manyushka, verb nobel. i’ve been working on a theater all my life, and there’s a lot of work here, lauks, everything was in the past, we opened a farm, we rented 150 grams of land, we’ll continue to plow and re-cultivate the land, the task the leader is to find out why rural life is still better than city life, and complete several tasks around the house. the whole family of bulbs is still here, i need to get there, judging by the sweaty helmet, you might get the impression that yesterday i celebrated some kind of birthday or... but this is not so, well, there’s a red tractor, why didn’t we load into it, look project i’m from a village, on tv channel belarus 24. acquaintance with belarusian en

i talk about ostrov schenker. i talk about creators who explain to to to the world, to us. but if you're a stateless, if you're a nation with brief history of statehood, you lack that recognized, authoritative voice. you do entirely trusted with your experience. and so your kanem it's tricky to get your canon out there. we're all going to talk literature today because canon is so often overshadowed by dominant culture. dominant tends to be imperial cultures of formerly imperial cultures. and is these dominant that can afford to be above politics. right they say, well, you know, culture. we don't need to address questions such as war we're above. this was if you're the culture that's been repressed for a very long time, if you've been denied the very right to have a voice, perhaps it is that that you feel that necessity, that urgency to use your words to describe your own experience and that of your nation more and, more. this is a very long way of me approaching my first question. first of all, i wanted to ask you to kind of reflect on on these observations that i've had, b