>> yeah, and otis redding, on stage, and i said, "boy, i wish i could do that," and i was like 13, 12rade school. >> brown: did you, in a sense, create your voice, i mean that famous, the falsetto, the sweetness of the voice, but also has the kind of rawness of soul? >> yeah, well some lady asked me the other day, well, do you have to drink hot tea? i said no ma'am. do you have to do a training, something exercise before you sing? and i said no ma'am. so what do you do? i said i don't do anything, i let it alone. >> brown: you let it alone? >> yeah. >> brown: its in there somewhere? >> in there somewhere. >> brown: and so you sort of became al green in some way. >> yeah. >> brown: was it becoming al green, or becoming yourself? >> no, i was in san antonio, texas, and i made a vow, and that's what started all that, that i would work, and when i work i work as hard as i can every time, no matter if i'm sick, i'm well, i don't feel good, whatever, i think the audience deserved to see the best there is, and that's why on stage im an ass kicker. ( laughter ) that's right, i always kick ass

that's some classic investing advice from stock sage otis redding.you want to become a great investor you don't just need to learn from your mistakes. you need to learn how to recognize what your mistakes actually are and by the same token, you need to notice what works. that might sound trite. it's not. the thing about being hume season we have a very hard time acknowledging what's going on inside our own heads. we're full of all sorts of unconscious biases, and that can make it incredibly different to learn from experience. i'm not here to give you a psychology 101 lesson on continue in addition. i'm here to be your investing coach. i mention all this because it's important to remember you need to approach all the stuff empirically. what do i mean? at my old firm i consumer sentiment a box of old trading tickets in my closet. i'd scrutinize them looking for mistakes patterns of wrongdoing that needed correcting and much more rarely for patterns of success that needed repeating. these days i don't have a box anymore and people don't have the hard co

and it was here that some of the premiere soul artists such as james brown and otis redding actuallyced the stage. ♪ rhythm in blues began getting its start not long after the break of little richard. call little richard the architect of rock 'n' roll. but he became an inspiration for african-american artists here in macon if he can make it maybe they could, too. those 45s newly pressed. they couldn't put their finger on that sound. young artists like otis redding would come to local talent shows to perform and try to gain some notoriety. the douglas became a host of probably the most well-known talent show in the area. it was broadcast live on the radio on wibb. and it was here during those talent shows that young otis who is known as rock house redding would win consistently. i mean, nobody could beat him. nobody could outplay him. and one of the listeners on that radio station happened to be my uncle phil walden who eventually would become a business partner and manager with otis redding. phil heard that early sound of otis that would later make him famous. that amazing soul that

race records because they couldn't quite put their finger on that sound. ♪ young artists like otis reddingome to local talent shows to perform and try to gain some notoriety. the douglass became a host of probably the most well-known talent show in the area. it was broadcast live on the radio on wibb, and it was here during this talent show that young otis, who is known as rockhouse redding, would win consistently. i mean, nobody could beat him. nobody could outplay him, and one of the listeners on that radio station happened to be my uncle phil walden who would eventually become a business partner and manager with otis redding. phil heard that early sound of otis that would later make him so famous, that amazing soul that he was able to project. that's something that you could just feel. i mean, it was truly music that you could feel. ♪ for whatever reason, whatever fate may have it here in macon, georgia, these two young guys, a black guy and a white guy in a segregated south were able to look at each other, shake hands, and form this unbelievable partnership that would lead to the comme