[ozie] in the real village, especially the modern or young generation, they wouldn't bother to look orbout this tradition from their old folks or their grandparents and so on. you see, even to look for a dancer in the village, like, for example, a traditional dancer, it's really very difficult. we have to teach nowadays. to recruit a new dancer to this cultural centre, we've got to teach him. we've got to teach them clearly or properly. then they can perform the dance. we cannot simply take-- oh, this from this village. they can dance. no. it's difficult. [chanting in ngadju] [narrator] but the manipulation of traditions and customs to make them more interesting and accessible for tourists will inevitably result in romanticized images of destination areas and their populations. we're ready for the crocodiles, eh? ha ha ha! a few years ago, only independent travelers visited borneo, with its iban and dayak long houses, but recently, a number of small, local operators have begun pioneer trips into the interior for the more adventurous tourist. this is the frontier of contemporary tourism