, tell pakhmutova, and even have the audacity to sing this song, since i... saw it, i was waiting fored. 2 days later we met at the cinema house, she was holding this script of mine, i had a refusal written on her face, then i asked her for the following, aleksan nikolaevna said, you are now at the very beginning of the birth of my film, and i i initiated you into his plan, i can honestly tell you that all this has already been filmed. victories in cinema, she is a musical person, she quite was, she heard something of her own in music, in february 1982, spectators snapped up tickets to the carnival, the film collected more than 3 million viewers, it was a triumph, and the song call me, call me, it fit, here’s a song without a chorus, there is only a hit line, call me, call, who was there, me, that’s not for me , and dissolving it in the chorus was, well, wrong, i felt it, i didn’t do it consciously as much as i felt it, and i came to him, played the song, he said, great, it’s a hit, i say, robert, and you didn’t notice, i say that there is no chorus, he says , no, really, well, with h

exercise, so that this never happens, so that those who stand behind europe, the songs of alexandra pakhmutova heard on the all-union stage , it is in the songs of the union . and these verses our wonderful classics, igor luchenok became on a par with them, thanks to luchenok the rise took place, he created not just an ensemble, he created a whole wave, on this whole wave the silver, bright, dewy nations swept along... the soviet union and russia, as it were, a country it wasn’t called, pesnyary, sebra, this is generally pride, glory is just our flag, i can sing kostilyast, kastilyaiska, that’s it, i can’t think of it anymore. a completely different song, a simple belarusian song, that’s all, if, you know, such brilliant things, they’re all simple, i clearly dreamed about you. kolis, which is then combined into chords , hangs, and i felt that, you know, as if something was moving in the air, you know, it was such a very powerful moment, you know, that’s why it was such a really, really powerful breakthrough, thanks he also gave birth to a new direction in belarusian pop art; it would seem that

what a beauty, what a beautiful city it has become, named after a native of the city, alexandra pakhmutovaew square has become part of... now the tsarina’s floodplains have been radically reconstructed, as for the volga itself, including a watermelon festival on the banks of the volga in kamyshin the festival, although of course there is a decorous part, a competition for the best costume on a watermelon theme, is even more decorous, there is a new hotel and air base complex located here, because you can also live in planes specially brought here, converted into comfortable rooms, don’t forget , that volgograd... this is uryupinsk, it is called the capital of the russian province, by the way, it is closer to the khaper river, by the way, the don also flows through the region, but of course, the axis is the volga, the shock volgograd, this is the festival 34 for advanced youth, 34, as in the volgograd license plate, which took place just... these days, the next festival 3.4 for advanced youth is taking place on the new volga embankment, where it is exhibited raised from the bottom of the vo

leoznova heard pakhmutova’s melody.e carnival because i wanted to work with the artist muravyova again, and this film became the most personal, she talked, by the way, about her mother, then she was not sick in the film, there is a scene where, where ira’s mother is sick, she like... took it from my own life, call me, call me, call me, for god's sake. leozny easily changed composers from film to film, knowing exactly that for the carnival, for example, young dunaevsky is needed, but call me, call me, again again, she asked me to redo it. i had to work hard to bring more options, which were completely different, completely bad in my opinion. i still falsified it a little, but it was based on the original version, she said: here, well... she selected the music herself and was almost the only one who recorded the final sound on set, which was very difficult in the conditions of noisy film equipment, the director's will not only in every frame, but her actions, she was kicked out of vgik, she proved to gerasimov that she sh

comes, and it comes from a song, overheard songs, in fact, flights, pilots, the sky, alexandra pakhmutova "tenderness". and lioznova comes up with an idea, or at least that’s how it is later told, that something needs to be done around this, and only then does she come across alexander borchugo’s script. she wants three poplars on a shabolovka again, she thinks that she should cast nonna murdyakov in this role, it’s difficult to find an actress, but when they asked her, why didn’t you cast murdyakov? she thought that i would now record nonna singing the song tenderness, this scene came to her mind, yes, the heroine sings this song, sings like this according to the folk, so according to the woman, and she said, i ’ll write down nonna, i’ll find some actress who can sing to nonna, when they asked her, why couldn’t you call mordyakov, she answered, well, what kind of guy does she want? you can take a couple, here, here’s the weight, yes, the personality, the weight of the actress, who could play in partnership with her? tikhonov, perhaps , by the way, but it didn’t work out, so they searched

pakhmutova wrote denunciations to the cpsu central committee, that is, the highest governing body, forexplain, i was complaining about these same charts, that some strange, not professional rock bands, but worthy songs appear there, which means they don’t appear there, because one of the speakers of this book, that is, from the people i interviewed... i seem to be talking with a person, if the person with what needs to be said, then i’m generally categorically against bills and censorship, i can either refuse a person altogether, in principle, no, you won’t be there in this book, let’s say, but if i agree, then i can only correct some - the turns of phrase are unsuccessful there, having naturally agreed on this with the person who spoke, because he must issue a visa, that yes, in this final form, here is the text, well, something there throws out even something that puzzles me like... sasha categorically ruled out the possibility of pakhmutov writing a denunciation to me. also, by the way, this seems, well, some kind of wildness, perhaps shavrin himself was told that she complained som

his interview, which was included in this book, was published , said that our legendary composer, pakhmutovapsu, that is, the highest governing body, for those who are in the tank, i explain, complained about these very hitporades, that some incomprehensible, unprofessional people appeared there rock bands, but... worthy songs, that means they don’t appear there, since one of the speakers of this book, that is, one of the people i interviewed for this collection, was alexander borisovich gradsky, after reading the book, and having read this passage by shavirin about the danos that pakhmuta wrote, he called me in rage, well, how he loved there with... with obscenities, that is, he masterfully mastered profane speech, at first he attacked me, i said: “sash, well, you, you understand that this is direct speech, that so to speak, i’m like i would be talking with a person, if the person thinks something needs to be said, then i generally i’m categorically against bankruptcies and censorship, i can either refuse a person altogether, in principle, no, you won’t be there in this book, let’s say, but

comes, and it comes from a song, an overheard song, in fact, flights, pilots, the sky, alexandra pakhmutovaast that’s how it is later told that this is what- then around this you need to do, and only then she comes across a script by alexander borshchugovsky, three poplars on a shabolovka, she wants, again, she thinks that she should direct... nonna murdyakova in this role, it’s difficult to find an actress, but when they asked her, why didn’t you murdyakov was removed? she thought that i would now record how nonna sings the song tenderness, this scene came to her mind, yes, the heroine sings this song, she sings like this in a folk way, like a woman’s, and she said, i ’ll record it and i’ll find nonna some actress who can sing to nonna when she they asked, why couldn’t you call mordyukova, she answered, well, what would it be like for her to take a man as a partner, that’s the weight and personality, the weight of an actress, who could be with her? play in partnership. tikhonov. perhaps, by the way, but it didn’t work out. and so they searched and searched and found daronina, who was extre

for the words of nikolai dobronravov and the music of alexandra pakhmutova, the nadezhda ensemble sanggolden junction, about which robert rozhdestvensky will write: “do you hear, time is humming,” bam. do you hear, time is humming, in the steep vastness, the big taiga is bye, twenty-third, twenty-fifth, eighty second year. three concerts, three concerts, three concerts. viktor anikeenko still keeps his bamov diary, in which he kept records of all veaplam concerts at that construction site; that remains in the memory of the soloist irina shashchneva. an unexpected meeting on bama with my old friend, suddenly she was flying, she was hugging me, and i was just taken aback, i said, how are you here? she says: yes, my husband and i left here, and i was even stunned, i say, like from moscow? and she told me: irka, we are so happy here, but how happy we were ourselves the soloists of the flame ensemble, when they performed one of the main anthems of the all-union construction project, the rails stubbornly cut the taiga, guys. american singer dean reed, superstar of the baikal amur constructio

composition written by outstanding composers of our countries will be performed, alexandra nikolaevna pakhmutovavich luchenok, nikolai. it is called russia belarus on our stage, honored artist of the republic of belarus victoria oleshko and the samotsvety ensemble. i don’t dare say, our life is joy and sadness, if belarus is in my heart, then you are in my heart, russia, if in my heart... belarus, then you are in my heart, and suffer, laugh until you cry, we love our polesie forests, we belong among these birches. i don’t presume to predict fate, our life is joy and sadness, if in my heart, belarus, that means you are in my heart, russia. that means you are in my heart, russia, that means in my heart, belarus, the new century, it will happen at our doors, more fun, my comrade brother, they say. we are not free yews, not for us, not a border, not a barrier, if belarus is in my heart, then you are in my heart, russia, russia, if you are mine. my heart is russia, which means belarus is in my heart. let's preserve the crane and the willow and the flaxen sky, not to break our common faith, not to des

comes, and it comes from a song, overheard songs, in fact, flights, pilots, the sky, alexandra pakhmutovas the song tenderness, this scene came to her mind, and the heroine sings this song, she sings like this in a folk way, like a woman’s, and she said, i’ll record it here nunnu i’ll find some actress who can sing to nonna, when they asked her, why couldn’t you call mordyakov, she answered, well, which one? and you can take a guy as a couple, here, here’s the weight, yes, the personality, the weight of the actress, who could play in partnership with her? tikhonov, perhaps by the way, but it didn’t work out, so they searched and searched. they found doronina, who was extremely strict in her approach to the selection of scripts, just as it was difficult to find lioznova, and maybe even more difficult it was daronin, and just as always they said that working with leoznova is incredibly difficult, that if you were able to work with lioznova, you can work with anyone, they also said about doronina that it’s impossible to work with her, well, she’s an incredibly complex person, these two perso

in his interview, which was included in this book published, said that our legendary... composer pakhmutovawrote pakhmutov, he called me in a rage, how he loved it with swear words, that is, he masterfully mastered non-standard speech, at first he attacked me, i say sash, well, you understand what this is? even what puzzles me seems untrue or strange to me, i can’t answer responsibly after all, he is authoritative, he was in this industry, i won’t call him a critic, but a columnist, so sasha demanded from me - shavirin’s phone number, he said, now yura, meaning yuri shmilevich, one pomeranian, was already punching him in the face, now, that means, it’s my turn, no i know how they ended - conversations, sorting out relationships, uh, sasha categorically ruled out the possibility of pakhmutov writing a denunciation, by the way, it seems to me too, well, some kind of wildness, perhaps shavrin himself was told that she complained somewhere - at some kremlin banquet, she could tell someone in a conversation that there is such a section, such a hit parade, there are such and such songs in the fir

the main thing is to establish yourself right away, when i came as a young man, i immediately hit pakhmutovat touched. because your time has come, you are younger than us, you have more opportunities, you don’t know how to sing, you’ll use auto-tune, you don’t have a studio, you filmed everything on your phone, those are the contracts, the fans, you pissed me off too, to be honest. larochka, shurochka, come on, i’ll hold her, well done, well done, polina, well done, well done, valya, thank you for your help, this is for you, wait, wait, wait, let’s give you a common bouquet, you’re not the one giving it, it just looks from the outside as if grandma came to congratulate her granddaughter on her birthday, now will give you a thousand. not at all this is a bouquet from me, i love her, what are you saying, vanya, you can’t be together, look at her, she’s like a disney princess, and you’re a ninja turtle who grew up in a russian sewer, val, don’t listen to them, we have a lot in common, it’s bad, in a couple they can’t both wear a bra. you don’t understand, her heart is free, even pigs won’t eat

concert hall, the children's music festival white steamboat 2024 dedicates a concert to alexandra pakhmutova pineapples grow based on the texts of kazimir liska, directed by georgy surkov, starring igor gordin, artyom dubra and marina lebedeva. at the house of culture rassvet, the world premiere of boris filonovsky's vocal cycle quiet move based on poems by igor bolotovsky, performed by anastasia bondareva and yuri favorin. in the museum of ancient russian culture and art named after andrey rublev painting with thread. the theme of the exhibition was facial sewing. performed by soloists, choir and orchestra of the northern symphony of the chaliapin musical theater conducted by fabio mastrangelo. valentin malinin opens the program of the summer pianist festival in nizhny novgorod. philipp harivege is conducting. the berlin state opera presents the world premiere of contemporary french composer marc andre dalbavy's opera, melancholy of resistance, based on the novel by hungarian writer lászl krasznoharkay. staging. good morning, dr. myasnyakov says, shows, we are starting a program about the m