israel and gave the cinematic struggle a specific direction. when in the statement of the palestine film foundationmilitary operations. it was not strange that hany johar, the most famous palestinian filmmaker, became the first martter of resistance cinema while recording a film. when honey johara's camera that was stained with blood was placed in the museum like a weapon of famous fighter, it was clear that cinema had become a part of the battlefield strategy just like a weapon. 1982 the israeli army attacked to lebanon. the main goal of israel was to destroy the foundations of the quasai government that the liberation organization had built in lebanon. on israel besieged west beirout, the liberation organization. its forces to tunisia, yemen and algeria. in the midst of battle and the evacuation of troops, a catastrophic event piled pressure on the bad days of fatah. during the days of israel's attack on beirout, the archive of the palestinian film unit, which was compiled by khadijah abu ali and was organized after spending many years after it was moved several times, it finally disappeared, and

mustafa abu ali in a statement wrote for palestine film foundation and highlighted the goals of the revolutionaryealize a political ideal. we creates a new... people instead of being refugees to to be fighters, this is very important, we were refugees, homeless, we became now fighters, freedom fighters. in the first step, the palestinian cinema changed a stereotypical image of the palestinian people. now, after 20 years, the motivated pictures of the cinematographers replaced the image of the oppressed palestinian. refugees with that of fighting warriors, the israelis cannot put up with the palestinians who were now united to liberate their land. soon enough, the conflict between fata and israel began. were the most important targets of israel in its attacks on the karame village in jordan. after israel's rapid retreat, the battle became legendary victory for the palestinians whose value dobled after the heavy defeat by the arabs in the sixth day war. only in the first 48 hours after the end of the war, 5,000 palestinians applied for membership in the organization. the battle of karame initially

the israeli film foundation invested on sorimon's first movie. it seemed the foundation thought that palestinerector would make a movie for them. israel gave sulaiman the budget to make the movie, and he immediately shouted out his suppressed palestinian identity. soleiman made a movie about the sufferings of the palestinian arab community a time when everyone was talking about peace, a movie about disappearance. in part of the movie, the israeli police stormed his house, but the palestin arab citizen was so ignored that even when the police come to arrest him, they cannot see him while he's standing in fronted them. chronicles of a disappearance was a first movie by a palast. union director to find a distributor in the united states and showed israeli investors that palestinians have not disappeared. the left-wing movement was dependent on the soviet union from day one. the soviet union collapsed. in the early 90s, arafat lost his biggest supporter, the fata officials reached to conclusion that they had no option but reconciliation for their own survival. fat's reconciliatory approach led to