and for the departed actors to appear on this tv, but shirvent’s partners, andrei mironov, orosova, papanovpoint he appeared on tv young, and my hero said, listen, something this dude reminds me of someone, he would say it's not a dude, it’s me, i’m very sorry that he refused it, rewrote the play once again and came up with a great role for fyodor dobronravov, which he plays brilliantly, and i want to tell you that this is of course, you know, i talk about this more than once, in general playing with shirvint... a performance every time is like graduating from college, you understand that he knows the text of all of us around, he knows the whole play thoroughly, he improvises, he means something somewhere, he always inserts something, you have to be on alert, and that’s how some diamonds appear on this, so to speak, already beautiful necklace or necklace, well, not to mention the fact that i’m very funny, you see, it was easy to catch you, right? terrible, yes, i cry to tears, in this sense, understand, i am in no way comparing myself, but he said that andrei mironov was terribly funny, tha

can you imagine, if evstegneev , evgeny evstegneev from film to film would be like him in life, or papanov, it’s true, you know, we know their roles, if put them in a row, then you understand that evstegneev pleischner or evstegneev preobrazhensky in heart of a dog, or vstegneev in beware of the car, the director who suddenly became a director. these are all different people who speak differently, walk differently , think differently, these are all different people, this is what has always attracted me, so uh, on the one hand, this, so to speak, is my call to the director, let’s work with me, i will create different people, he is interesting, some, on the other hand, directors don’t have time, they want it, i understand them too, this is such a period now. but if you add up yablokovo from the turkish gambit, which i played there, i don’t know at the very beginning, my life in cinema, or the alligator vasya from daddy’s daughters, or pavel ii from the vakhtangov theater, or from the vakhtangov theater floridor or stan from mademoiselle, not exactly, they’re all different people, or that per

and how many outstanding names these places gave birth to, gagaririn, glinka, tvordovsky, mikulin, papanovmpossible to list, but we, friends, are starting our journey through the smolensk region, well , let’s go? smolensk is one of the oldest russian cities. scientists are still arguing about the exact date of its appearance, but there is also something that is reliably known: the city is located on the western the outskirts of russian lands, it is not surprising that it was he who stood in the way of all... european invaders, a shield city , a key city, a hero city, a great city and many people, already in 863 smolensk was mentioned in the chronicles and tales, but the current the year has become an anniversary for my hometown, 1160 years old, smolensk celebrates this year. hello, dmitry, hello, oh, good day, good one, that’s how they said hello, is this how smolyan people walk around the city? well, it’s unlikely now, although you can probably see a reenactor on the street. a in general, i’m now in the costume of an archer, a generalized image of a warrior of the 16th century. well, sinc

yes, well can you imagine if stegneev, evgeny vsegneev from film to film were like him in life, or papanoverently, walk differently, think, that’s all different people, this has always attracted me, so on the one hand, this , so to speak, is my call to directors, let’s... work, i will create different people, it is interesting, some, on the other hand, directors don’t have time, they want it, i understand them too, this is such a period now , so if you add up yablokovo from the turkish gambit, which i played there i don’t know at the very beginning of my life in the cinema, or the alligator vasya from daddy’s daughters, or pavel ii from the vakhtangov theater , or from the vakhtangov theater floridora celestena. these are all different people, or the person who is sitting with you now talking, well, you collect , and so, you try to find a new one, well , yes, i really want this, to create another person who would live there too screen already without me, well, is this person who we just saw, is it me, well, you said when we watched the trailer that it immediately becomes bad, why does it b

nimirovich danchenko, anatoriy papanov, alexander abdulov studied, who and how today is mastering theeing this, perhaps gogol himself would have thought about adding new characters to the notes, however, unlike poprishchin, these characters are in perfect order, gitis’s actors have such activities, it looks like a madhouse, in fact, these are acting trainings for emancipation, how many hours can they do such exercises? oh, different. so, here since the end of the nineteenth century, in the sense that there is creative freedom everywhere, in some classrooms he stages choreography, in others he studies choreography, since, yes, hidden deep, but while the freshmen are learning the intricacies of the fifth position, gitis himself is strengthening his position in the fatherland . this is how, back in the last century, the great director andrei goncharov assessed educational plays; the proposed circumstances must necessarily. go in line with the play that you are working on works, let's go, modern teachers talk about the same circumstances, that is, they ask students to live out each role i

for those learning he is characterized by imitation, pain soon there are imitators of the voices of papanovvoice, which means you can partly pick up some beautiful... timbral coloring of someone’s voice and assemble this voice for yourself like a constructor, learn to sing with the most beautiful colors of other people’s voices, can this happen? of course, i even know performers who take this as a basis. great ones, i can even turn you on now, but you won’t be able to tell the difference, well, let’s not talk, but i ’m saying that we all start, even i have a teacher, anyway, when they sang me, i tried to catch what to me shows to imitate this, but it is very important in life to then find your repertoire, your own colors in your voice, because if you take the basis from the greats, you still won’t out-sing them, this is important to understand at a certain moment, remember how one young director worked with the old film crew... and he kept running around like that and saying: well, don’t do that , it’ll turn out like chaplin’s, then don’t do it like chaplin’s, the old cameraman came up to h

probably like this, that’s what you compiled, which means the playlist contained songs, for example, papanovs always amazing the internal name of songs in groups, here is the song sunday in life like a dark cup, it is always called giraffe, because it is a kilometer long, well, i also read somewhere that you performed the same gagarin in the spirit of metallica and wheezed kakvil, it was yes, but if you sing, show a piece, well, brothers, volodya, max, it’s not the same , don’t judge strictly, he turned into a simple man, like that, and the white lips were strangers, he touched up his hair with his hand, while another one got bored, kind, kind, its hail, without the desert red, had its effect, let if there were no one, goodbye, goodbye, witch debauchery! it was, life is winged, as he says, i loved you, e, as he says, i loved you, as he says, i loved you, e, korokarin, i loved. what hidden energy is there in this song? before releasing it, send it to me, okay, first, why, no, that’s it, it’s already gone forever, brother, i think it makes sense to release such an album, called “gagarin i”, an