. >> ya murder -- >> rose: based on-- the family was called papine? i've forgotten what it was. >> the papine sisters. q. and they did what?>> there wd by kamu and snatra and jenae, the pro letariats were rising up against their operezzors, the sisters in the dark finally couldn't stand it any more and murdered their mistress and their daughter with claw hammers, claude out their eyes. it was a brutal, brutal murder. these maids are desperate to release themselveses from the stronghold of their madam. >> rose: tell me how you approached that character? >> well, with isabella -- >> rose: she's very young, isn't cindy sheehan plays the mistress. >> she does. it's also eye mean, i-- anyway i was saying-- but it was-- look, iozdon't have any preconceptions going into a rehearsal. >> rose: i want to know. it's my one time to ask you about a process. we just defined the character. there's jasmine, which you said essentially you derived from the text is what you said. is that it? >> i think i'm always work from the text, and andrew upton and benedict andress

. >> ya murder -- >> rose: based on-- the family was called papine? i've forgotten what it was. >> the papine sisters. q. and they did what?>> there wd by kamu and snatra and jenae, the pro letariats were rising up against their operezzors, the sisters in the dark finally couldn't stand it any more and murdered their mistress and their daughter with claw hammers, claude out their eyes. it was a brutal, brutal murder. these maids are desperate to release themselveses from the stronghold of their madam. >> rose: tell me how you approached that character? >> well, with isabella -- >> rose: she's very young, isn't cindy sheehan plays the mistress. >> she does. it's also eye mean, i-- anyway i was saying-- but it was-- look, iozdon't have any preconceptions going into a rehearsal. >> rose: i want to know. it's my one time to ask you about a process. we just defined the character. there's jasmine, which you said essentially you derived from the text is what you said. is that it? >> i think i'm always work from the text, and andrew upton and benedict andress

story of two maids who-- based on a real st >> ya murder -- >> ro: based on-- the family was called papine? i've forgoten what it was. >>he pinsisters. q. and tey did what?>> there wad by kamand snatra and jee, the pro letariats were risingup agnstaiheir operezzors, e sisters in the dar finay couldn't stand it any morend murderedir mistress and their daughter with claw hammers, claude out their eyes. it was a brutal, brutal murder. these maids are desperate to release themselveses from the stronghold of their madam. >> rose: tell me how you approached that character? >> well, with isabella -- >> rose: she's very young, isn't cindy sheehan plays the mistress. >> she does. it's also eye mean, i-- anyway i was saying-- but it was-- look, iozdon't have any preconceptions going into a rehearsal. >> rose: i want to know. it's my one time to ask you about a process. we just defined the character. there's jasmine, which you said essentially you derived from the text is what you said. is that it? >> i think i'm always work from the text, and andrew upton and benedict andress who directed it -- >> r