, paradzhanov already loved such sharp, non-standard actions, especially related to them, and he says that after the film, he took marta and i by the hands and led us to his home, and to we were at his place in the morning, because, well, he was afraid that we, well, not us , but ivan would be arrested, well, they were not arrested, then, by the way, marta volodymyrivna tells me humorously, there are versions, she says, and he says, that he walked all night with ivan khreshchatyk and that, well , years later, all kinds of things, but it was like that, and it was sometimes they say, indeed, that this is the first maidan, that’s right, near the maidan, the deceased is unfortunately already dead, not the ukraine cinema, because let ’s hope that it will be revived after all, but it was an action, this, this is a brave, a person boldly speaks about zay, declares what was talked about only in the corners, what he said at first, he said at first, yes, that there are arrests, then, chornovil, joined in and said that those who are against arrests, stand up, and stood up , by the way, very few

khrushchev, some more liberal ones, all these, still the elation felt from the cinema , we also watched paradzhanoven at the end i watched shadows of forgotten ancestors, it was such a cultural, aesthetic shock. there and so on, here, the poets were reading, and vasyl simonenko, and drachi, lina kostenko and so on, and so on, that is, we really existed in bulbashka, and then towards the end of, uh, training, it was the 73rd year, but then we already started and we, well, let's say, vasyl ovsienko, whom i knew well, who was on the course older, with whom i lived in the same room in the dormitory. he is being arrested, that is , we felt that we were being pushed out into this open space, yes, and shcherbytsky was in charge at the same time. open russification of ukraine has already begun, ukrainian cinema as such, ukrainian-language, ukrainian-centric cinema, was practically banned, already from 1973-4 year, and our idols, well, porodzhanov was imprisoned, well, not to mention ivan dzyub, they were imprisoned, they detained him, and he was sitting on this volodymyrskaya street, i didn’t know, by the

speaking in principle, the best film about hutsuls so far, so far, i have made, a man with the surname paradzhanov and to make this film, he went to for a few months, if i'm not mistaken, in the carpathians, and there i followed the local residents to convey, but the film adaptation was not by a hutsul writer, nor by a husulv writer, but a writer from chernihiv region or vinnytsia, where kotsyubinsky is from , worked in chernihiv, in a word, it is all messed up, but when people love this country, when they want to, but i will tell you, but i will tell you that in fact there are hutsul writers and lemki writers, and they have beautiful works about themselves, which in fact, they are still waiting for rehabilitation, revival and a new acquaintance with them, because it is enough to speak for hutsula, you yourself can, a writer from vinnytsia worked in chernihiv region, wrote about our hutsula romeos, juliet, marichka and ivan, the shadows of forgotten ancestors. dear friends, thank you, that you were with us, andriy saichu, lesya vakulyuk, we wish you all the best, see you. in a week, and you stay w