paris as a major player in european art. these exhibitions were planned by pointers to ten the first director of the central pompidou. and also they included the series paris new york paris berlin paris moscow. these exhibitions managed to change the public's view of modernism. but afterwards it became clear that something essential had been left out of the new york it was not moscow berlin paris and new york that were important but vienna and the paris club after this realisation home and to fill this oversight with an exhibition of viennese modernism it was staged of vienna without paris vienna independent of paris it spotlighting the uni's culture at the turn of the century because we the french owed so much to this culture including do it on she merely than she yes. in the late one nine hundred twelve sheila rented a studio in the hit single neighborhood of vienna very close to a good stuff to its last studio was the respectable family of the locksmith few hundred homes lived across the street. sheila married edith the younger of his two daughters in june nine hundred fifteen. is a low spot and i think it was the winter of one thousand nine hundred fourteen i had at once with each sent