so the big records on the radio were-- like, patrick juvet had a song called i love america. the village people had y.m.c.a., and there was a record pool, which i remember was the most influential in terms of getting records on the radio and from the disco, communicating the needs of the public, and that disco pool-- record pool-- was made up of 25 jocks who played in gay clubs, and-- you know, larry levan, larry patterson, and tee scott. i mean, it was all these popular disco deejays, and they were doing what-- the leader of that pool, judy weinstein, said that disco was black music made easy for white people to dance to. and that became-- the most important input on black radio was disco. and so, when you're in the ghetto, and you're listening to y.m.c.a. or i love america by patrick juvet on your black radio station, there's a disconnect, and what always happens when culture, you know, rises above the masses or rises to a different aspiration than what the masses have, then the masses create new, and whether it was, you know, from the jazz to blues to rock and roll or to r