this is out on new year's day, screenwriter patrick ness, working from his own source novel.who is terrified of bullying, and he's frightened of being bereaved, and he's visited by a tree monster played by liam neeson, which tells him stories, and through these stories lends some form of fantastical reality to the anguish which he is experiencing. here's a clip. break the window! break them yourself. go on. harder, conor o'malley, come on, harder! that's it, yes! ha—ha—ha! feels good, doesn't it?! wow! that's amazing. you can see what it does is blends seamlessly from the fantastical to the more real. the thing is, fairy tales are really about dealing with very real issues, but dealing with them in a fantastical fashion, and this does this brilliantly. it's directed byja bayona, who made the orphanage, which the guiding light on the project was guillermo del toro, and you can see a lot of him in this. bayona went to make the impossible, which was the tsunami drama, which was very well done as well. but this really harks back to the great work he did with the orphanage, and it

screenwriter patrick ness, working from his own source novel.is terrified of bullying, and he's frightened of being bereaved, and he's visited by a tree monster played by liam neeson, which tells him stories, and through these stories lends some form of fantastical reality to the anguish which he is experiencing. here's a clip. break the window! break them yourself. go on. harder, conor o'malley, come on, harder! that's it, yes! ha—ha—ha! feels good, doesn't it?! wow! that's amazing. you can see what it does is it blends seamlessly from the fantastical to the more real. the thing is, fairy tales are really about dealing with very real issues, but dealing with them in a fantastical fashion, and this does this brilliantly. it's directed byja bayona, who made the orphanage, which of course the guiding light on the project was guillermo del toro, and you can see a lot of him in this. bayona went to make the impossible, which was the tsunami drama, which was very well done as well. but this really harks back to the great work he did with the orphanag

birmania: patrick ness escribiÓ la historia partiendo de la idea general de un autor que falleciÓ deen la cultura mediterrÁnea de donde yo vengo. pero sobre todo, la pasiÓn. yo le decÍa a los actores: "vale, ahora vamos a hacer la toma latina, en la que os dejÁis llevar y soltáis toda la emociÓn que llevÁis dentro". y a ellos les encantaba. birmania: felicidades nuevamente. una obra maestra. ♪ alan: mira nada mÁs! no hay lÍmite a la imaginaciÓn de los niÑos. francisca: fascinante. porque a pesar de que lo cuenta como fantasÍa, cuÁntas meses nosotros en una situaciÓn difÍcil no creamos nuestra burbuja para poder escaparnos un poquito de la realidad. la idea original surge de una periodista que tenÍa cÁncer, y lamentablemente, ella no pudo terminar su historia, pero dejÓ este regalo. alan: steven spielberg tenÍa un amigo imaginario cuando era joven: e.t. francisca: y salen obras maestras. vamos a ver esta pelÍcula. bueno, mÁs adelante viene nuestra amiga marinÉs duarte, y nos trae muy buenos consejos de cÓmo prepararnos para recibir a los invitados inesperados, que te tocan la puerta a