paul greengrass has a background in documentaries and a brilliantly blended documentary in 1993.s going to do it, i think he is the guy to do it and he is serious. he does have a background in documentary and news. yes, yes. on to very different matters. the second film of the week. this is a total mess. extraterrestrial parasite who likes to bite people's heads. it's outside of the standard marvel cinematic universe. it looks like a downbeat character study about a guy who loses his job and his girl and his life falls apart and then it turns silly and into a rubbery special effects movie with lots of motorbike chases and it turns into all of me meets the fly, and i've never seen a movie so catastrophically all over the place. i said to my son, at least it was never boring. well it was boring in the beginning, then it became silly and entertaining in the last 30 minutes. tom hardy and the director do good work at it is an absolute mess of the movie. what was tom hardy doing in this? he was doing his very best to hold it together and make some sense and the superhero movies, there

we have 22july which opens next wednesday, paul greengrass on a real—life tragedy.r space. and columbus, life, love, and architecture. and we are going to talk about a star is born. which we have both seen. we will have a bit of a round—up. let‘s start with, well, it couldn‘t be a more difficult topic. 22july, the new paul greengrass movie, it opens next wednesday simultaneously on netflix and in some theatres. this is becoming more and more a netflix pattern. this is a drama about the atrocity committed by anders breivik, but more importantly how a civilised country responds to that atrocity. so although we do see the bombings and we see the outrage on utoya, what it‘s really about how the country, the legal system, the survivors, and politicians react to the atrocity. here‘s a clip. we've got the final number. eight dead in oslo, 69 on utoya. wounded? at least 200. thank you. we are all shocked. this was an attack on our government and on our children. we are a long way from understanding why. but what is clear is that our nation has been attacked by someone who w

we have 22july which opens next wednesday, paul greengrass on a real—life tragedy.chitecture. and we are going to talk about a star is born. which we have both seen. we will have a bit of a round—up. let's start with, well, it couldn't be a more difficult topic. 22july, the new paul greengrass movie, it opens next wednesday simultaneously on netflix and in some theatres. this is becoming more and more a netflix pattern. this is a drama about the atrocity committed by anders breivik, but more importantly how a civilised country responds to that atrocity. so although we do see the bombings and we see the outrage on utoya, what it's really about how the country, the legal system, the survivors, and politicians react to the atrocity. here's a clip. we've got the final number. eight dead in oslo, 69 on utoya. wounded? at least 200. thank you. we are all shocked. this was an attack on our government and on our children. we are a long way from understanding why. but what is clear is that our nation has been attacked by someone who would see it changed. who would see our de

we have 22july which opens next wednesday, paul greengrass on a real—life tragedy.me theatres and netflix. this is a drama about the atrocity committed by anders breivik but more importantly how a civilised country responds to that atrocity so although we do see the bombings and we see the outrage on utoya, it's about how the country, the legal system, the survivors and politicians react to the atrocity. here is a clip. we've got the final number. eight dead in oslo, 69 in utoya. wounded? at least 200. thank you. we are all shocked. this was an attack on our government and on our children. we are a long way from understanding why. but what is clear is that our nation has been attacked by someone who would see it changed. who would see our democracy become tyranny. see our humanity fold. we must not give in to this terror. we must fight. and what the drama than really becomes about is how you deal with that kind of atrocity and there is a debate about whether the perpetrator should be able to speak in court because what he is saying is hateful and vile but more impor

paul greengrass did a film called july 22, which is currently out, it is on netflix.ood at these documentary style recreations — like he did united 93, just on the plane that hit the towers on 9/11. he did sort of a multi—stranded take on utoya, focusing on anders breivik, the right—wing gunman who perpetrated massacre and all the way to his trial. this film, which is made by a norwegian called erik poppe, is just on the island, just on the face of one girl, kaja, who is a sort of quite well—respected member of the young labour party. she wants to help everybody, and we are with her as this massacre unfolds. now, in this version, we don't see breivik at all, we just hear the boom of his gunfire and see the people running from him. it's a real kind of distillation of what it must‘ve been like to be on that island, not knowing what was going on, the confusion. it's almost done in one single, breathless take. i have to say, i was sitting near the front of the cinema, right at the front, and after about five minutes, i had to move to be back of the theatre to get some dis

paul greengrass has a background in documentaries and a brilliantly blended documentary in 1993.o do it and he is serious. he does have a background in documentary and news. yes, yes. 0n background in documentary and news. yes, yes. on two very different matters. this is a total mess. tom hardy is a former vlogger whose body is taken over by an extra terrestrial who likes to bite people ‘s heads. it's outside of the standard marble cinematic universe. it looks like a downbeat character study about a guy who loses his job and his girland study about a guy who loses his job and his girl and his life falls apartand and his girl and his life falls apart and then it turns silly and into a rubbery special effects movie with lots of motorbike chases and it turns into all of me meets the flyer, and i've never seen a movie so catastrophically all over the place. i said to my son, at least it was never boring. well it was boring in the beginning, then it became silly and entertaining in the last 30 minutes. tom hardy and the director do good work at it is an absolute mess of the movie. wha

paul greengrass did a film called july 22, which is currently out, it is on netflix.ted 93, just on the plane that hit the towers on 9/11. he did sort of a multi—stranded take on utoya, focusing on anders breivik, the right—wing gunman who perpetrated massacre and all the way to his trial. this film, which is made by a norwegian called erik poppe, is just on the island, just on the face of one girl, kaja, who is a sort of quite where was elected member of the young labour party, she wants to help everybody. and we are with her as this massacre unfolds. now, in this version, we don't see breivik at all, we just hear the boom of his gunfire and see the people running from him. it's a real kind of distillation of what it must‘ve been like to be on that island, not knowing what was going on, the confusion. it's almost done in one single breathless take. i have to say, i was sitting near the front of the cinema, right at the front, and after about five minutes, i had to move to be back of the theatre to get some distance and perspective. it was too overwhelming. i was to t

. >> brown: british director paul greengrass ties it to a larger, ongoing rise of the extreme right inope and the u.s. >> i've got children and i think this is an issue that young people are going to have to resolve. they're going to have to choose how to respond to these immenseo es and fight for the kinds of democracies that they want to live in. and you know, these changes can be explored through journalism or history or documentary, but they also need to be explored through cinema. it's very, very important. i think that we don't close our eyes to wh 's going on in the world and we don't close our cinema to it, either. >> brown: greengrass is widely known as a director ofion- packed thrillers, including three of the "jason bourne" movies. he's also taken on recentli tical events that haveen shaknd shaped the world, such as his "united3," about the september 11 attac here, he gives us a gut- wrenchand up-close view of a man acting out his belief that muslims and other outs aided by liberal elites, are poisong his society. and then, the aftermath: an ideologue and, inevitably a tion,

paul greengrass did a film called july 22, which is currently out, it is on netflix.e plane that hit the towers on 9/11. he did sort of a multi—stranded take on utoya, focusing on anders breivik, the right—wing gunman who perpetrated massacre and all the way to his trial. this film, which is made by a norwegian called erik poppe, is just on the island, just on the face of one girl, kaja, who is a sort of quite well—respected member of the young labour party. she wants to help everybody, and we are with her as this massacre unfolds. now, in this version, we don't see breivik at all, we just hear the boom of his gunfire and see the people running from him. it's a real kind of distillation of what it must‘ve been like to be on that island, not knowing what was going on, the confusion. it's almost done in one single, breathless take. i have to say, i was sitting near the front of the cinema, right at the front, and after about five minutes, i had to move to be back of the theatre to get some distance and perspective. it was too overwhelming. i was too — motion sickness, i