i am sure this is the kaiser for you know paul watson skipper of the sea shepherd battling the japanese whalers for years and he's winning japanese whaling industry had to pull back from their illegal slaughter of whales paul watson the scribes the economics of the whalers as the economics of extinction they put the tuner that they catch in that industry that's an industry and they put it in freezers and they wait for the species to become extinct and then the press goes higher same thing for whales now this theory of the economics of extinction we see it being played out the nuclear energy and the population of japan itself are the remaining japanese population going to skyrocket in value because of this theory that the more worse you screw up in our economy the higher prices go let's bring in stacy maxwell speaking of extinction in relation to the japanese nuclear disaster documentation is emerging from one thousand nine hundred eighty when this plant and this reactor was designed that the three nuclear scientists working on it resigned because it was so i'm safe this reactor built by

paul organized a series of images with text captions. they will change every evening until a different -- and tell a different story. one block away, theodore watson has created an interactive installation that crosses over six street. spaces' begins with a photo capture station on the north side of the street that projects your face on to a building on the south side of the street. on opening night, the installation was an immediate hit with the crowd. we talked with the or what said about his remarkable installation. >> what inspired you to create this interactive piece? >> the work i typically do is kind of interactive installations or both indoor and also outdoor and public space. for me, what i'm most interested in is how we can use technology to make the city, which is typically quite a static environment architecturally speaking -- how can we make it come alive? >> what i love about your work is there is such sophisticated software and electronics and complex connections that all have to work together to make it successful, but yet, all of that is invisible to the people interact with the work. >> they do not realize there is all these cabl

paul organized a series of images with text captions. they will change every evening until a different -- and tell a different story. one block away, theodore watsonreated an interactive installation that crosses over six street. spaces' begins with a photo capture station on the north side of the street that projects your face on to a building on the south side of the street. on opening night, the installation was an immediate hit with the crowd. we talked with the or what said about his remarkable installation. >> what inspired you to create this interactive piece? >> the work i typically do is kind of interactive installations or both indoor and also outdoor and public space. for me,