notes that sound round and lower notes and there were such teachers as imanueli garcia who raised pauline viordos his daughter and maria malibran, for whom russian operas such as otella were written. and there is an otelloverdi there is a hotel in russia well, they said, we bring up our girls in three octaves. that is, a three-octave range, maybe only when it’s convenient for the singer, when the larynx lifts up, when it’s embarrassing for you not to take these notes, not the lower notes, and therefore verdi insisted to the last, but the year 1939 arose. and even before that, there were these conversations. what did you quite rightly say? the 18th century began to say that and why not raise build? why not give some new sound? something like improvisation or it's a special assignment to take and create, uh, another setting. you understand, if you approach, er, this from the point of view of the one that we understand and know, but the destruction of the harmony of space. after all, it happened in layers, it was the middle ages, it was, then there was the renaissance. then it started again. this i