remember what pavel florendsky said about this icon: there is rublev’s trinity, therefore there is god was located in the iconostasis of the trinity cathedral of the trinity lavra of sergei. in the twenty- ninth year it entered the collection tredikovskaya gallery. by and large, we all know very well that at this time temples were closed, temples were destroyed, temples were set on fire. and of course, a transfer from the trinity. attacks on the church stopped , people began to come to the church, children began to be baptized, marriages began, the dead were reanimated , churches were restored, and finally, on may 15 of this year, the ministry of culture made a decision... to transfer the rublev trinity to the church, an appeal from his holiness the patriarch to the president was published , and the president signed a decree that this the icon was handed over. surely you know very well what began after that , what kind of battle began, how many meetings took place, how many letters were written saying that this was impossible, that the icon was in poor condition, although to be honest,

remember what pavel florendsky said about this icon. eat. rublev's trinity, therefore, is god; until 1917 it was in the iconostasis of the trinity cathedral of the trinity lavra of sergei. in 1929 she entered the collection of the tredikov gallery. by and large, we all know very well that at this time temples were closed, temples were destroyed, temples. and of course, at that moment there was a transfer from the trinity lavra to the museum. icons as a work of art and the value of the icon as a spiritual force, i think that there cannot be a question here, you understand that someone is fighting for the icon as a professional, restorer, guardian, and so on, someone is fighting not for the icon, but against the sacredness of the power of the icon, this is... laugh, talk nonsense, cuckoo and so on, but understand that this icon served the people, which means it served the authorities in all these centuries, and it was sacred power, which is necessary for the authorities, the people, the people cannot be deprived of this power, i am absolutely

talking about now, we’re talking about something else, the point is that, remembering the words of pavel florendskyunderstand that neither rublyov nor daniil cherny, theophanes the greek would have ever touched the board to paint an icon if they had known that this icon would be in a museum. an icon is a materialized connection between man and god. this means florenz. it must work. you can imagine how much human energy she absorbed, how much she saw. how it is charged with human feeling , suffering, love, i understand, and he will say, well, how can it be, it can be lost, yes, it can die, yes, it can be stolen, yes, but that is precisely why there is a connection between the state and church, in order for the state and church to provide the necessary conditions for the icon to be safe, the icons must be returned. it means that it served the authorities in all these centuries, and it was a sacred power that is necessary for both the authorities and the people. the people cannot be deprived of this power, i am absolutely sure that a huge number of icons located in the storerooms should return to wher