uh, the belarusian underground pavel maslennikov is generally a classic of such a landscape, and hmmltifaceted, and the accomplishments that impressionism is there, uh, arakcheeva are expressive, and the landscapes are olkhimovich. ah.

uh, the belarusian underground pavel maslennikov is generally a classic of such landscape., multifaceted, and accomplishments that impressionism is there, e, arakcheeva expressive, and the landscapes are essentially on olkhimovich. ah. unfortunately, dudarenko, who has recently passed away from us, is a circus. well, there are no random people here, so the entire elite of belarusian art has passed through the belarusian landscape. well, practically, probably, there is no artist who, one way or another, did not try his hand at landscapes here. and everyone, as you know, like these 33 heroes. everything is up to pick. to straight times about that only alone with nature you can feel. to intervene, believing that, is it possible to feel the heart of nature through the prism of the landscape, i believe that it is, because in general, any person in general needs a little bit of an artist, and silence, in order to, well, how to feel the meanings when you get out from under influences, certain factors of noise and informational psychological everyday life and you begin to feel ther

why because the father of vera pavel on my wife pavel maslennikov is an artist, and she herself is a , we decided that anton, the eldest son, will go as a mother’s line, as a musician, and pavel will go as an artist and they studied at speech schools. that's specialized so, then enrolled. uh, that means the academy of arts, and anton entered the network culture. that's why we were all brought up in art and, of course, all the talk was about art, about well, of course, when the band was still alive or something, my children went to his workshop there and back home on surganova therefore, this all certainly imposed its own imprint in this regard people. uh, they understand. here art is loved by art both in general and at the performance. here we go and at the exhibition and so on, in your opinion, than they differ. let's say from you, but the fact is that they are more inclined more such more , i would say, on their own, or something, well , the time is such that they know more, probably than i do, because the world is open that we i used to go there as students from vitebsk moscow ther

why because the father of vera pavlovna, my wife pavel, maslennikov is an artist, and she herself is , the eldest son , will go as a mother’s line, as a musician, and pavel will go as an artist and they studied at the crap school. here are the specialized ones, so then pavel ah, that means to the academy of arts, and anton entered the network culture. that's why we were all brought up in art and, of course, all the talk was about art, about well, of course, when i was still alive polosilyevich, that my children went to her workshop there and back home on surganova street. therefore , all this certainly left its mark on people in this regard. eh, they understand that they love art, both in general and in the performance. here we go and at the exhibition and so on, in your opinion, how do they differ. let's say from you, but the fact is that they are more inclined more such more, i would say , on their own, or something, well, the time is such that they probably know more than i do, because the world is open that we when -that traveled there as students, vitebsk vitebsk moscow there tod

uh, the belarusian underground pavel maslennikov is generally a classic of such a landscape, and hmm such a multifaceted for a smart yes, and the accomplishments that impressionism is there, uh, arakcheeva are expressive, and the landscapes are essentially olhimovich. ah. unfortunately, just about dudarenko, who has recently passed away from us. and from above, that is, well, there are no random people here, so the entire elite of belarusian art passed through the belarusian ones. well, in practice , probably, there is no artist who, one way or another, has not tried himself in landscapes here. and everyone, as you know, like these 33 heroes. everything is up to pick. kov is a phrase that only one with nature can be felt. and you think. is it possible to feel the heart of nature through the prism of the landscape, i believe that it is, because in general an artist, where in general any person , probably, needs a little bit of silence in order to, well, how to feel the meaning when you get out of influence, some factors of noise and there information psychological household you begin

pavlovna, my wife polosovich maslennikov, is an artist, she herself is a musician , therefore, they decided that anton, the eldest son, will go as a mother’s line, as a musician, and paveled at school. that's specialized so, then enrolled. uh, that means the academy of arts, and anton entered the network culture. that is why we were all brought up in art and , of course, all the talk was about art , and of course, when polosilyevich was still alive, my children went to his studio back and forth. therefore, all this certainly left its mark on people in this regard. eh, they understand that they love art, both in general and in the performance. here we go and at the exhibition and so on, in your opinion, how do they differ. let's say from you, but the fact is that they are more inclined more such more, i would say, on their own, or something, well, the time is such that they are more they probably know more than i do, because the world is open, that we once traveled to moscow there as students from vitebsk, today you can see it all on the internet, yes, and life is more active. they have a completely different one. it seems to me that this is the philosophy, so to speak,