priest pavel ostrovsky, psychologist larisa surkova, i’m vladimir ligoita, we continue , but still therearent is the one who doesn’t tries to be his friend for the child, this is a big problem, because this is the fashion, and we are friends, we ’ll drink beer together, here we ’ll do something else together, he’ll have a lot of these friends without you, but he’ll have the same mom and dad for the rest of his life , he needs it. support and security in you , he must understand that you will accept him as anyone , and not as a friend, but there with some restrictions, conditions, whether i like you or not, but there really are such parents who understand that they do not should be a friend, they should not be in the role of a teenager, this is also a very funny, unfortunately , and sad story at the same time, i sometimes recommend to my clients to put a camera in the kitchen, and then look with different eyes at how they communicate with their teenager, usually dads come and say: that’s it, i don’t need any further consultations , i understood everything , period he says: my dad and i fo

thank you very much, larisa surkova, psychologist, priest pavel ostrovsky, i’m vladimir ligoi, we weres. and our guest today is a real people’s artist, composer, author of a huge number of hits.

rapidly changing, it scares them too, thank you very much, larisa surkova, psychologist, priest pavel ostrovskyi’m vladimir ligoida, we were gathering thoughts about teenagers, their fears and hopes. dear friends, the creative industry podcast is on air, with you its host elena kiper, producer, music video director, and roman karmanov, general director of the presidential fund for cultural initiatives, our guest today is a real people's artist, composer, author of a huge number of hits. which is in our blood in the genetic code, alexander sergeevich zatsepin, hello, hello, i’ll ask the first question from all the viewers, now there are a lot of people who are passionate about longevity, your recipe, well, there is no such special recipe, just like my lifestyle, probably like this, i didn’t smoke and don’t smoke, food, try a certain way regime do not overeat. yeah, this is a must , well, you have to move at my age, for example, if i don’t move, then i ’ll just sit and watch the first channel, but how to move, what does it mean to move , well, move or walk, that’s what i have mom , for example, w

pavel melyukov, conductor alexander sladkovsky. at the yaroslavl theater. the premiere performance by artyom ustinov based on the play by alexander nikolaevich ostrovsky the snow of stacked sculpture, a self-portrait, yes, it was made a long time ago, it’s kind of like an idea here, here’s half of the soft stuff. something round like that, yes, like, like, the second half is hard, faceted, well, as they say, we always have, yes, white angels and black demons who fight among themselves, the meaning of the wreath is that, here, here our daily meetings with dozens of people , some more, some less, everyone expresses their own idea, you agree, you disagree, but instead of flowers, these are different faces, there are evil, kind, someone stepped on your foot on the bus. which features about 60 paintings an artist who believed that clothing greatly shapes a person's image, and often selected costumes for his clients himself, using fashion as a tool for expressing individuality. drop everything and go quickly to the restaurant in the garden, but why? you are semyon with some woman here in the restaurant, semyon, tell me that all this seemed to me, olga kobo, he calle

pavel fedorov’s vaudeville was staged, so he that's what it was called, a trip to tsar's village... unfortunately, it was soon forgotten, but another playwright, already our russian shakespeare, the genius of the theater alexander nikolaevich ostrovskyaciously, well, let's remember, at least in a thunderstorm, yes, bullshit, why the car , they began harnessing a fiery kite, you see, for the sake of speed, they call it a car, but i saw how it paws like this, like this. the department still has such a sound, really an attitude towards the railway when it appeared, and the thunderstorm was written in 1859, by that time there were only two, essentially , railway lines in russia, st. petersburg-moscow, st. petersburg, gatchina, that is, varshavskaya was built road, with great superstition, in this picture of pirov we see peasants near the railway, that all this was in the deck and so on, ostrovsky uses the word machine. this word was used to call the railway back then, they didn’t say to go by train, they said to go by car, in fact, this locomotive that feklusha saw was one of the first steam locomotives of st. petersburg on the moscow railway, then let’s remember again, nikolaevich, talent admirers, station manager ordered a special car