if i say that we have just become acquainted with the work of pavel pravin’s project, i am on the rightroject, this project is called the light of night cancer, that is , there is a concept that daylight, it closes the light of the soul, precisely at night , when the sun lets go of the earth, we can see the inner light, so this is the concept that the night ragas, they open the spiritual light. were you playing traditional tunes now, or is that your job? these are traditional melodies like this a certain compilation, the kavali genre was heard here, mas calannder, this is such a wandering traveler, a dervish who is looking for new places, new music, new knowledge, who set off with a caravan on the road, but this kind of stuff, roughly speaking, i... will say that we actually played a very famous song sung by the kavali singers, so we played it instrumentally, we must ask you what you need to understand in a raga, but you need to understand the tal and the tal is built called the rhythmic-melodic pattern that you perform so many of them, rupoktal , god, none of the russian people in the

pavel pravin's project, i'm on the right track, that's the name of the project, this project is called the light of night cancer, that is, there is such a concept that daylight, it closes the light of the soul, it is at night, when the sun lets go of the earth, that we can see the inner light , so this is the concept that night ragas, they open spiritual light, are you now, traditional melodies are your work? these are traditional melodies in such a specific compilation, the kavali genre was heard here, mast kalandar, this is such a wandering traveler, a dervish, who is looking for new places, new music, new knowledge, who set off with a caravan on the road, and such a mass, that is, roughly speaking, i will say that we actually played a very famous song, which the singers sing kovali, here we are with... we have to ask you, what should we understand in raga? but you need to understand soital is a rhythmic-melodic pattern that you perform so many of them, rupoktal, lord, no one in the world will understand russian people, this is that rupok 1, 2, 3, 4, 5, 6, 7, 1, 2, 3, seven quarters,

brilliant people with special pleasure musicians in our studio, first of all, you need to know pavel pravinogant person, he is the most humble person, this. being the founder of the whole style of playing the banzi, they tell a story about him , when he’s at the hotel, his relatives are all asleep, and he’s working out in bansur, he’s working out like that, quietly so as not to disturb his sleep, well, your co-workers, who are they, well, it’s a great honor for me, i don’t i know how lucky i am so in life that i can play with these people, but genetically he, in my opinion, is gennady lavrent. yes, yes, yes, a fantastic multi-instrumentalist who plays both ottoman music and byzantine music , even byzantine, yes, i had to, yes , i had to, yes, yes, he plays with yanis, a greek who sings byzantine chants, here and here india, right there, as you can see, there are metal gadgets, we know what these things are, they make the guitar roar, as you understand, you are blackmore. it’s just a matter of time and that’s what we call it, a heating pad, that is, just yes, and of course, tochburgov plays