one night only special event screening of the short film the human voice from spanish director pedro almodovarcome! that's what we agreed on, that you would come. you don't say goodbye to a woman you've loved for more than four years with a telephone call! based on a play byjean cocteau, almodovar�*s english—language debut stars an axe—welding tilda swinton, talking on the phone to a lost love who may or may not really be there. presented with an audaciously cinematic theatrical framing device, the human voice is vintage almodovar and will be screened in cinemas with a pre—recorded q&a with the director and star. are we cut off? or did you hang up? if you don't fancy venturing outdoors quite yet, there are plenty of new movies available for viewing in the home. back in 2010, spanish director rodrigo cortes�*s claustrophobic thriller buried found ryan reynolds awaking in a coffin, in which he would spend the entire rest of the movie. now that scenario is echoed in oxygen, the new film from french director alexandre aja. this time it's melanie laurent who's trapped in a box. a high—tech cocoon i

wednesday the 19th is a one night only special event screening of the short film the human voice pedro almodovarnot really be there. presented with an audacious cinematic framing device a human voice is vintage almodovar and will be screened in cinemas with the prerecorded 0&a with the director and star. are we cut off? or did you hang up? if you don't fancy venturing out doors quite yet there are plenty of new movies available for viewing in the home. back in 2010 spanish to record roderigo cortez is claustrophobic. found ryan reynolds awaking in a coffin which he would spend the entire rest of the movie. now that scenario is echoed in 0xygen, the new film from french director alexandre aja. this time it's melanie laurent was trapped in a box. a high—tech cocoon in which her air supply is gradually running out. while reynolds was able to communicate with the outside world via a cell phone, laurent has milo, a computer with a carefully modulated voice that's meant to be common but in fact has overtones of the politely murderous howl from 2001. she also has futuristic video screens through which