.. that everyone discussed it, said how revolutionary it was in terms of the filming method, how pelikhinand of completely unprecedented moscow, and that in many ways the film i walk through moscow is under the aesthetic influence of khutsyev's film, have you heard any stories about the work of shpalikov and khutsyev? well, you know, mariana vertinskaya played the main female role there, she is my constant partner, we are classmates. at the institute, and i remember that she was somehow inspired by working with marlen martynovich and told there under a certain charm of working with him, she was, i remember that, but to say that some influence, well, firstly, vadim ivanovich yusov, the cameraman, if we talk about the visual influence, he is such a colossus and such a multifaceted colossus. i would say, and i would not i put it together with pelikhina with all due respect to her, and what unites them is that this is shpalikov's script, and then accordingly there... in the grain there is shpalikov's intonation, but this intonation, it was nevertheless transformed into a film classic, by the s