there are 19 centuries in syaredzina, where the temple of the perahodzitsa and the right of the slainv according to the new canons. so over the syarod kryzham uzvodzyats bathed in a light drum. yon za daham sabora and don’t give us away. they disagreed with the fact that the temple did not have a traditional transept, the fall of the roofs was for the cost of the nave roof. yong is not performing. for the boundaries of the asnoўnaga ab'yoma, but also the roof is marked for the cost of the different heights of the ab'yom. the interior of the temple is not i was greedy, but some elements can be scrutinized. on the contrary, there are flimsy fragments of a certain luxurious altar, as if they were carved out of the laret style. this italian tradition, which was adopted by the doyleds of the vyalikag of the principality of lithuania in the 17th century. in agul terms there is an internal space. the bora lay on three naves with columns that fell under the spring arches. the scenes were painted in frescoes. sennya over the racks of a number of languid campaigners are working on restauraters.

there are 19 centuries in syaredzina, where the temple of the perahodzitsa and the right of the slains work in perabudov according to the new canons. so over the syarod kryzham uzvodziats bathed. bright drum, yon immediately za daham sabora and don’t give us away. they disagree with the fact that the temple does not have a traditional transept, iago the fallow land behind the roofs was given for the cost of the nave roof. he does not stand for the boundaries of the asnovnaga ab'yom, but the roof is considered for the cost of the different heights of the ab'yom. the interior of the temple has not been preserved, but some elements can be examined clearly. on the contrary, the tanks are not flaccid fragments. the altar was carved as if carved out of laret's frame. this italian tradition, which was adopted by the doyleds of the vyalikag of the principality of lithuania in the 17th century. in the agul plan , the interior space of the cathedral was divided into three naves with columns that ran under the springs arches. the scenes were painted in frescoes. sennya over the racks of several