mcd which is two or three, it’s all a joke, peredelkino station, peredelkino station, yes, every yearwinter, we just address this from a professional point of view vision and at the same time we are doing an event for children, that is, we also share inside the event such a children’s side of adventure , a little other people are doing something for children, this is some kind of we are creating such a fairy-tale space based on a certain theme, just 4 years ago. nikita petrov spoke at our first conference of storytellers, and we dedicated it to the hero’s path, and it was just such an opportunity for children to write fairy tales, adults and serious storytellers really understood what this the hero's path, according to what laws a fairy tale is built , a children's fairy tale, an adult fairy tale, how urban myths are born, how they come into some kind of fairy-tale narrative , and so on, and 2 years ago, for example, we... already give space and they pull out some kind of folklore motifs in well, in audio plays, conditionally in travel, just in a children's play, so this process and t

this is darya mikhailovna beglova, the head of the house of creativity in the village of writers peredelkinoonomy and public administration, as well as an employee of the russian state humanitarian university. good afternoon, nikita. i am glad to see you, i am sure that our conversation will be interesting and meaningful. all of a sudden it’s all around us. these are words, actions, images that influence the emotional behavior of people, and with the help of modern words, i would say that they spread in a very similar way to how oral folklore spread, well, this is such a dangerous definition, because obscene language also, for example, does not by nightfall it should be mentioned how it has an emotional influence, is included in some behavioral rules, and even this can, for example, be modern prohibitions, remember, don’t go swimming before, the merman drags you away. and then the belichka is told, or, for example, prohibitions of modern soviet children, don’t go out on the street, the gypsies will be taken there, or take bread for dinner in moderation, don’t bring precious bread. absolutely

it, or i read some quote from the classics, or i just i’m showing an old book from my sometimes peredelkinoold, it’s one of bozhov’s modern editions, and that’s of course. more, some kind of massacre of people happened here, katya’s old people both died, she has a big family, three brothers married before sisters, a married man, there was some kind of quarrel between them, i’ll go to danilushkov’s hut to live, the guy has become completely old, even if i follow him, an insertion from me, that is, she never married anyone else, and her fiancé disappeared and went to live with her failed husband. father-in-law, prokopyevich is not a stranger to me, adoptive father, my danil, so she left, thank you , says katenka, that they remembered about me, so they began to live in prokopyevich’s prison. well, after all, not ore, but pebbles, stones , namely the urals, this region, even for those who have never been there, is associated with such a combination of very different things, on the one hand , practical business, yes, that is, the demidov plant , metal mining, and this is still felt in yekaterinb

between ibazhov and peredelkin, i can’t not to say naturally, because yes, because permyak lived in peredelkinowrote a great novel dedicated to god, in general was his first chronicler, first interviewer and... of course he was completely in love with here is another beautiful illustration, scary, yes, what nikita was talking about, well, let's go back to peredilkin, yes, yes, but there is such a large corpus of letters, in general bozhov left more... an incredible number of letters, which are also a separate completely literary work, very interesting, published just a few years ago, very absolutely critical articles and advice, and even on building a house, which it means he sent permika, he has a lot of addressees, a lot - this is really a gigantic body of a completely different god, and it’s interesting to read, well, we’ll just finish by mentioning that there is olga slavnikova with roman 2017. there is alexey ivanov, but olga slavnikova simply has hitters who mine these very stones in the nineties, in a word, this tradition lives on, and bazhov’s work goes back to the immemorial times of r

this is daria mikhailovna beglova, the head of the house of creativity in the village of writers peredelkinoonce again in the world of damn it, vladimir the red sun, tsar kalin’s dog. remember, i am a dog, a red-hot king, i am writing to you, vladimir red sun, folklore, but it has probably ceased to be perceived only as those same fairy tales, as epics, as songs. if it could be defined using modern words, i would say that it is words, actions, images that influence the emotional behavior of people, and spread in a very similar way to how oral folklore spread, well, this is such a dangerous definition, because... stage vocabulary, too, for example , will not be mentioned by night, how it emotionally influences behavioral rules, yes , and this could, for example, be modern prohibitions, remember, don’t go swimming before, the water will drag you away, and then a tale is told, or , for example, the prohibitions of modern soviet children, don’t go out into the street, the gypsies will be taken there, or take bread for dinner in moderation, don’t waste the bread with precious things, absolutely t

m reading some quote from the classics. either i i’m just showing an old book from my sometimes peredelkinods is not old, it’s one of bazhov’s modern editions, and of course it ’s not lyrics, it’s sata from the classics, i’ll try to do a very risky thing now in such an abridged version , draft version, read the tale, one of the tales, it is called the mountain master, katya danilov is a bride, she remains unmarried. two or three years have passed since danilo got lost, she’s completely out of her bride-to-be days, in her twenties in our opinion, according to the factory overkill , it is believed that guys like this are rarely matched , there are more widowers, there was some kind of massacre of people here, katya’s old men both died, she has a large family, three brothers are married before sisters are married, there is some kind of quarrel against , came out between them, i’ll go to danilushkov and... wake him up, he’s become quite old, even if i follow him, insertion from me, that is, she never married anyone else, and her fiancé disappeared, went to live with to her failed father-in-law,

he came up with an artistic concept for the church of the resurrection of christ in peredelkino, createdts of our garden, which ivan made, one might say, from crushed material, here is cement. these are all the stones, this is part of a sewer pipe, cast iron, clogged with cement, and here a mosaic was made in the form of a sausage cut, and people understand that this is a good language sausage, this house is a workshop in the artist came up with the idea of ​​the moscow region himself, he simply drew the project on paper, and our familiar builders built it. who loved ivan very much and said: leonidych, here the staircase doesn’t meet, he says: yes, that’s how i drew it, yes, let’s think about it, they began to think how, that is, not everything was perfect there, with his own hands he could build a house yourself, build a boat, i don’t know, build any sculpture, ivan lubennikov came up with an ideal artist’s house, the most part... this is the workshop where we are now, and the small part part is residential, and at first i was very irritated, well, there’s so little living space in my k

guests, this is daria mikhailovna beglova. head of the creative house in the writers' village of peredelkinophenomenon is this, how to qualify it, how to describe it, when it arose, well, there is a concept of post-folklore, such a scientific one, well, how if you could describe it all, we are once again in the world of bulin, vladimir krasnosolnyshko, the dog kalin the tsar, remember, i am the dog kallin tsar, i am writing to you vladimir the red sun, folklore, but it probably has ceased to be perceived only as those same fairy tales. they live a little less, yes, that is, they flare up at this moment, on the wave of moral panic they exist for a certain time, then go into some oblivion. it is clear that this information, in general, in theory, seems to be unreliable. yes, but at the same time by spreading it, a person creates a certain symbolic authority in himself and the goal turns out to be to protect his loved ones, but here there is a very thin gap between the legend and the truth, called the terrible term ostension, when people, knowing the legend, pretend it to be reality, for exampl