i'm here for a contract modification to construction contract with tutor perini for work control. it was contemplated in 2014 when train control was actually awarded by this board and subsequently by to the board of supervisors to basically get design, procurement and installation and start and testing of train control within the central program. that work was awarded to the central subway and reassigned back to the contractor tutor r por -- perini. we're requesting for approval for delete a portion of that work and the testing and elements and the contact will still maintain the installation of the equipment and then in doing so we'll want to re-assign it back to sfmta and central subway to have better management of the activities. part of the reason we're doing this is because based on the reassignment of the work for the last several years we've had some issues in terms of coordination between ourselves, train control and tutor perini contract where it's impacting our schedule and service delivery. by taking on this we're hoping to mitigate that element of work. we're asking ba

unique selling point of the exhibition is the direct comparison of the two nice ones painters giovanni perini and andrea montagne who painted himself into the picture here. historians still argue about that. undisputed. and maintaining the unlikely dream team in italian history to suit copied and sought to emulate each other one was more interested in mood the other in detail both created works with extraordinary stories to tell and curated. knows most of them on the left leaning from the louvre on the rights. on loan from washington. this i'm making this is the juxtaposition that will certainly never be repeated that this side of the painting from washington hangs in washington. laney's the continents of skin hero and mine ten years introduction of the cult of civility exhibit a clear kinship of ideas the exhibition is a unique encounter between two really nice songs giants with a special contribution from the collection of queen elizabeth. her. time now for some superhero action or i should say super heroine action because yes last marvel comics have a soul female lead in one of their films

selling point of the exhibition is the direct comparison of the two were nice aunts painters giovanni perini and andrea maintain you know who painted himself into the picture here. historians still argue about that. undisputed is that any and maintained were the unlikely dream team in italian history artists who copied and sought to emulate each other one was more interested in mood the other in detail both created works with extraordinary stories to tell and corrected. most of them on the left leaning from the louvre on the rights. on loan from washington. i'm making this is the just a position that will certainly never be repeated at the side of the painting from washington hangs in washington in a single room it's the highlight of the national gallery of art people travel to washington to see this work so it's even more exciting that we can show it here in berlin. bellini's the continents of skip hero and mine ten years introduction of the cult of sidney exhibit a clear kinship of ideas the exhibition is a unique encounter between two songs giants with a special contribution from the coll