when he refused, they suggested instead something by peter drucker to emphasize the positives of capitalism, which they did. a magazine run by an avant-garde modern publisher trying to show what is most cutting edge about american art runs an article by peter drucker. in may no compromise of the public taste. modernism had made its peace with the porsche was the -- with the borscht waurgoisie. they had overwhelmingly rejected stalinism and socialist realist art had little appeal. new york was the center of artistry. the battlegrounds move south and east to latin america. modernist styles once seen as jarring and foreign, had become mainstream. mainstream literature, film, even consumer products. like so many radical artistic since,ts before it and have moved from the ramparts to the museum and the account executives of madison avenue. but in that journey it may have also helped the united states when the cold war. thank you. [applause] mr. barnhisel: any questions? >> [indiscernible] mr. barnhisel: that's a good question. france was the real target here. they had the most influential intell