put it bluntly — quite rich and collaborating with famous people in the western music world like peter gabrieland all the others you have worked with, does it, in some senses, make it more difficult to remain rooted? yeah, it can make it very much difficult but you have to convince also these people, just to — not you coming to them or going to them, but them coming also to you. for example, i did convince mumford and sons that to come to see my festival, the blues of the river, and they were thrilled about all of the elements that cannot even help them to have new inspiration or musicians that they can sit down with and play music together. because in this part of africa, the music has still a lot of things to share with all these people who are trying to find new elements, new things to feel on their skin or on their bone when they want to write songs. but at the same time, i always say that my goal is to take this african music and to show it to the rest of the world, that that is also their music, and this music also can bring something to learn from it, something to share in their life an

thanks to my parent i grew up listening to peter gabriel, radiohead, queen and i guess they left theirwhat you can expect musically from us. we have been thins in musically from us. we have been things in pictures _ musically from us. we have been things in pictures and _ musically from us. we have been things in pictures and hearing - musically from us. we have been i things in pictures and hearing some music from your band, zetetics. it looks great. you look fantastic. thank you so much!— thank you so much! people in liverpool— thank you so much! people in liverpool have _ thank you so much! people in liverpool have a _ thank you so much! people in liverpool have a really - thank you so much! people in liverpool have a really treat i thank you so much! people in - liverpool have a really treat ahead of them. thank you forjoining me today. of them. thank you for “oining me toda . ., ~ of them. thank you for “oining me toda . ., ,, i. of them. thank you for “oining me toda. ., ,, . of them. thank you for “oining me toda. ., . ., ,, of them. thank you for “oining me toda. ., . ., today.

celebrates the centenary of gabriel garcia marquis as part of the cherry line arts festival, a touching and at the same time magical story reflections on eternal topics starring peteready managed to watch. bright and lush, these cherry trees on the streets of moscow are a sure sign that you will find them if you follow them. something incredibly interesting is the cherry forest festival. this year it opens with a performance based on the works of the famous colombian gabriel garcia marquis, i want to see what he can do about love, but he shows love very well today with a performance. we have a funny about this, of course, the mystery of e is, that it is connected with the movement of the soul , something with philosophy, something with reflections on the eternal about love. live life and understand that it was more like a bad dream, the main character. this story is based on the last work marquez at the age of 90 realizes he does not know what love is. is it possible to find it when youth is lost marquis, is it some kind of infinite love love, uh, for people, for the world. eh, this is some kind of goodness and some kind of wisdom, every phrase of marquis. well, fo