peter weir, ron howard, michael mann, i've been lucky to work with wonderful directors. >> charlie: he did the "insider." >> yeah, i do one take and i've come 200 meters, right. i'm blowing this thing up and though i said full not i didn't realize i was going to get that full on, right so i wiped a bit away because i've got 100 meters to go and now have a spider web between this and another one and i got myself tangled up in the lines of not, go to the wife, kiss he to the and ridley goes cut. he goes a little less not. [laughter] >> charlie: roll tape. take a look at this scene from "the gladiator." >> charlie: how is ridley different? they can explain it back to you. so they get it. how is ron howard different from ridley scott, different from paul haggis, different from michael mann? >> in order to really understand ridley is primarily a visual artist. he can matrix a room in five minutes flat and it's unbelievable. it's one sweep of the eyes and he's already knows where he's going begin and will go on after that. all of the guys that you've listed there, it's probably easiest to to