phaedo becomes a metaphor for the immortality of the soul, mendelssohn then writes his phaedo, mendelssohnortality, that is, we can say that here we see such a distant echo, and i wanted to talk about this echo about socrates in russian culture, but starting from the phrase that if you catch, on the grave of grigory savichsky it is written that the world has caught me. but i didn’t catch it, because they called him the russian socrates, that’s true, he wrote in russian, he traveled through the belgorod, kursk, and oryol provinces, but here it’s different, in skovoroda one of his dialogues is called the israeli serpent or the alcibiadic icon, that is, this one the image that alcibiades gives at the feast, and socrates is selenium, he is ugly on the outside, but on the inside he is beautiful. skovoroda cunningly applies it to the bible, that is, the bible is an alcibiadic icon, you see, here is another parallel between antiquity, between athens and jerusalem. but in general , what can we say about socrates in russian culture? well, here it must be said that in our country, just like in europ

although they did not... knew about eternal life reward, although socrates, generally speaking, in phaedoe will meet with the sages, talk with those who have already departed, in which one can also see some semblance of christian joy, well, although this is most likely already , probably plato, if, if you compare the apology, plato's story of the trial of socrates and phaedo, plato's story. about the death of socrates about his last day, there is this difference, in the apology socrates says, well, execute me, after death there will be one of two things, one they say that there really is a ruined world, and others say that it’s just a cessation of existence, well, if there’s a cessation of existence, then they’ll just wake up as if they fell asleep, no big deal, but if there’s a huge world, then i’ll be there communicating with the great negations of the past and how much pleasure i will get, that is, then he still doubts one thing, on the last day he keeps saying everything, apparently while he was in prison for a month, he changed his mind a lot, obviously there was nothing to do. he ev

, although they did not know about eternal life reward, although socrates, generally speaking, in phaedobe advised to read this, it’s difficult, so he already says: so i’m definitely not afraid of death anymore, because i crito says, when how to bury you, bury me, no, he said this: bury him if you catch him, if they run away from you, let’s put it this way, that is, he is firmly convinced, that he simply passes into another existence, moreover, from a sicker existence into a healthier existence, because the latter is again weak to death, which criton sacrificed to the slaying of a rooster, the oscleing of the god of mortification among the greeks. and to him it is a person who is sick, but healed, as he should would be sacrificed, that is, socrates perceives death as healing, that is, this is already on this last day of his, the last day of his life, fidon becomes a metaphor for the immortality of the soul. mendelssohn then writes his phaedon, mendelssohn’s ideas influence alexander nikolaevich radeshchy, his treatise on man, his mortality and immortality, that is, we can say that here w